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“Spaces devoted to Hannibal Lecter’s earliest years differ from the other archives in being incomplete. Some are static scenes, fragmentary, like painted attic shards held together by blank plaster. Other rooms hold sound and motion, great snakes wrestling and heaving in the dark and lit in flashes. Pleas and screaming fill some places on the grounds where Hannibal himself cannot go. But the corridors do not echo screaming, and there is music if you like.”
― Thomas Harris, Hannibal Rising

“Just before nightfall, Hannibal approached Lecter castle through the woods. As he looked at his home, his feelings remained curiously flat; it is not healing to see your childhood home, but it helps you measure whether you are broken, and how and why, assuming you want to know.”
― Thomas Harris, Hannibal Rising

“Lecter sits in his armchair with a big pad of butcher paper doing calculations. The pages are filled with the symbols both of astrophysics and particle physics. There are repeated efforts with the symbols of string theory. The few mathematicians who could follow him might say his equations begin brilliantly and then decline, doomed by wishful thinking. Dr. Lecter wants time to reverse — no longer should increasing entropy mark the direction of time. He wants increasing order to point the way”.”
― Thomas Harris, Hannibal

“Occasionally, on purpose, Dr. Lecter drops a teacup to shatter on the floor. He is satisfied when it does not gather itself together. For many months now, he has not seen Mischa in his dreams.

Someday perhaps a cup will come together. Or somewhere Starling may hear a crossbow string and come to some unwilled awakening, if indeed she even sleeps.”
― Thomas Harris, Hannibal