Rashmirekha Basu

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Tomorrow, and Tom...
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by Gabrielle Zevin (Goodreads Author)
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Time and Time Again
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Behind the Beauti...
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Brian Moore
“She watched the glass, a plain woman, changing all to the delightful illusion of beauty. There was still time: for her ugliness was destined to bloom late, hidden first by the unformed gawkiness of youth, budding to plainness in young womanhood and now flowering to slow maturity in her early forties, it still awaited the subtle garishness which only decay could bring to fruition: a garishness which, when arrived at, would preclude all efforts at the mirror game.”
Brian Moore, The Lonely Passion of Judith Hearne

Sándor Márai
“Friendship is no ideal state of mind; it is a law, and a strict one, on which the entire legal systems of great cultures were built. It reaches beyond personal desires and self-regard in men's hearts, its grip is greater than that of sexual desire, and it is proof against disappointment because it asks for nothing.”
Sándor Márai, Embers

Brian Moore
“O, she said, a woman in love can't afford to be proud. He must be made to see, he must be made to come back. And I must do it myself, no matter how silly it looks.”
Brian Moore, The Lonely Passion of Judith Hearne

Louise Glück
“I don’t need your praise
to survive. I was here first,
before you were here, before
you ever planted a garden.
And I’ll be here when only the sun and moon
are left, and the sea, and the wide field.

I will constitute the field.”
Louise Glück, The Wild Iris

Brian Moore
“For it was important to have things to tell which interested your friends. And Miss Hearne had always been able to find interesting happenings where other people would find only dullness. It was, she often felt, a gift which was one of the great rewards of a solitary life. And a necessary gift. Because, when you were a single girl, you had to find interesting things to talk about. Other women always had their children and shopping and running a house to chat about. Besides which, their husbands often told them interesting stories. But a single girl was in a different position. People simply didn’t want to hear how she managed things like accommodation and budgets. She had to find other subjects and other subjects were mostly other people. So people she knew, people she had heard of, people she saw in the street, people she had read about, they all had to be collected and gone through like a basket of sewing so that the most interesting bits about them could be picked out and fitted together to make conversation.”
Brian Moore, The Lonely Passion of Judith Hearne

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