“It has been decided by our leaders that economic growth is more important. That the extinction crisis is an acceptable trade for their greed.”
― Migrations
― Migrations
“It isn’t fair to be the kind of creature who is able to love but unable to stay.”
― Migrations
― Migrations
“I got the idea from our family’s plant book. The place where we recorded things you cannot trust to memory. The page begin’s with the person’s picture. A photo if we can find it. If not, a sketch or a painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The colour of Finnick’s eyes. What Cinna would do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late promise preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son.”
― Mockingjay
― Mockingjay
“Don’t, I whisper, inside. Don’t leave. But I know she must. It’s in her nature.”
― Migrations
― Migrations
“Write it down. Write it. With ordinary ink
on ordinary paper: they weren’t given any food,
they all died of hunger. All. How many?
It’s a large meadow. How much grass
per head? Write down: I don’t know.
History rounds off skeletons to zero.
A thousand and one is still only a thousand.
That one seems never to have existed:
a fictitious fetus, an empty cradle,
a primer opened for no one,
air that laughs, cries and grows,
stairs for a void bounding out to the garden,
no one’s spot in the ranks.
It became flesh right here, on this meadow.
But the meadow’s silent, like a witness who’s been bought.
Sunny. Green. A forest close at hand,
with wood to chew on, drops beneath the bark to drink –
a view served round the clock,
until you go blind. Above, a bird
whose shadow flicked its nourishing wings
across their lips. Jaws dropped,
teeth clattered.
At night a sickle glistened in the sky
and reaped the dark for dreamed-of loaves.
Hands came flying from blackened icons,
each holding an empty chalice.
A man swayed
on a grill of barbed wire.
Some sang, with dirt in their mouths. That lovely song
about war hitting you straight in the heart.
Write how quiet it is.
Yes.”
―
on ordinary paper: they weren’t given any food,
they all died of hunger. All. How many?
It’s a large meadow. How much grass
per head? Write down: I don’t know.
History rounds off skeletons to zero.
A thousand and one is still only a thousand.
That one seems never to have existed:
a fictitious fetus, an empty cradle,
a primer opened for no one,
air that laughs, cries and grows,
stairs for a void bounding out to the garden,
no one’s spot in the ranks.
It became flesh right here, on this meadow.
But the meadow’s silent, like a witness who’s been bought.
Sunny. Green. A forest close at hand,
with wood to chew on, drops beneath the bark to drink –
a view served round the clock,
until you go blind. Above, a bird
whose shadow flicked its nourishing wings
across their lips. Jaws dropped,
teeth clattered.
At night a sickle glistened in the sky
and reaped the dark for dreamed-of loaves.
Hands came flying from blackened icons,
each holding an empty chalice.
A man swayed
on a grill of barbed wire.
Some sang, with dirt in their mouths. That lovely song
about war hitting you straight in the heart.
Write how quiet it is.
Yes.”
―
Anoushka’s 2025 Year in Books
Take a look at Anoushka’s Year in Books, including some fun facts about their reading.
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