Michael Patrick

“Once you've got a task to do, it's better to do it than live with the fear of it.”
― Joe Abercrombie, The Blade Itself

“Night after night I would speak to Violet in the womb (no matter how strange that may seem to some people) because I was looking forward to the day when I would hold her in my arms, no longer just talking to my wife’s pajamas like a fucking lunatic. When the day finally came, I was nervously packing up the car to go to the hospital when I noticed a huge rainbow overhead, something that happens maybe once every thousand years in Los Angeles. I was immediately calmed. Yes, it sounds nauseatingly romantic, but yes, it’s true, and I took it as a sign. After a long and difficult labor, Violet was born to the sound of the Beatles in the background, and she arrived screaming with a predetermined vocal capacity that made the Foo Fighters sound like the Carpenters. Once she was cleaned up and put under the little Arby’s heat-lamp bed, I put my face close to hers, stared into her gigantic blue eyes, and said, “Hey, Violet, it’s Dad.” She immediately stopped screaming and her eyes locked with mine. She recognized my voice. We stared at each other in silence, our first introduction, and I smiled and talked to her as if I had known her my whole life. I am happy to say that, still to this day, when we lock eyes it’s the same feeling. This was a love I had never experienced before. There is an inevitable insecurity that comes along with being a famous musician that makes you question love. Do they love me? Or do they love “it”? You are showered with superficial love and adoration on a regular basis, giving you something similar to a sugar high, but your heart crashes once the rush dies off. Is it possible for someone to see a musician without the instrument being a part of their identity? Or is that a part of the identity that the other loves? Regardless, it’s a dangerous and slippery slope to question love, but one thing is for certain: there is nothing purer than the unconditional love between a parent and their child.”
― Dave Grohl, The Storyteller: Tales of Life and Music

“There's always been a sliver of panic in him, deeply buried, when it comes to his daughter. A fear that he is no good as a father, that he is doing everything wrong. That he never quite understood the rules. All those Parisian mothers pushing buggies through the Jardin des Plantes,or holding up cardigans in department stores, it seemed to him that those women nodded to each other as they passed, as though each possessed some secret knowledge that he did not. How do you ever know for certain that you are doing the right thing? There is pride too, though. Pride that he has done it alone, that his daughter is so curious, so resilient. There is the humility of being a father to someone so powerful, as if he were only a narrow conduit for another, greater thing. That's how it feels right now, he thinks, kneeling beside her, rinsing her hair, as though his love for his daughter will outstrip the limits of his body. The walls could fall away, even the whole city, and brightness of that feeling would not wane.”
― Anthony Doerr, All the Light We Cannot See

“It is my belief that the World (or, if you will, the House, since the two are for all practical purposes identical) wishes an Inhabitant for Itself to be a witness to its Beauty and the recipient of its Mercies.

If I leave, then the House will have no Inhabitant and how will I bear the thought of it Empty?”
― Susanna Clarke, Piranesi