Jackson Haden

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Robert Anton Wilson
“All kinds of maps or models also show, on examination, the personality or "mental furniture" of their creator, and, to a lesser extent, of the creator's society and linguistic system(s) — the semantic environment.”
Robert Anton Wilson, Quantum Psychology: How Brain Software Programs You and Your World

Robert Anton Wilson
“Bio-survival anxiety will only permanently disappear when world-wide wealth has reached a level, and a distribution, where, without totalitarianism, everyone has enough tickets.”
Robert Anton Wilson, Prometheus Rising

John Anthony West
“Like all other initiatic teaching, Egypt held that man's purpose on earth was the return to the source. There were recognised in Egypt two roads to this same goal. The one was the way of Osiris, who represented the cyclic nature of universal process; this was the way of successive reincarnations. The second road was the way of Horus, the direct path to resurrection that the individual might achieve within a single lifetime. It is the Horian way that is the basis of the Christian revelation and, according to Schwaller de Lubicz, the aim of Christianity was to make this direct path available to all who chose to embark upon it, rather than to a small group of select initiates who, in Egypt, comprised ‘The Temple’. In this sense, and in this sense only, has there been ‘evolution’ in human affairs.”
John Anthony West, Serpent in the Sky: The High Wisdom of Ancient Egypt

Tim Flannery
“A tree’s most important means of staying connected to other trees is a “wood wide web” of soil fungi that connects vegetation in an intimate network that allows the sharing of an enormous amount of information and goods.”
Tim Flannery, The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World

R.A. Schwaller de Lubicz
“we were appealing to another power in us which comes from our innate consciousness, the source of the sense of harmony. If it is effective, this power will be the reason for genius, for creative thought, creative in the sense that it works ahead of the known, the classified. Isn’t it this consciousness of a new way, dictated to today’s decadent world, which impels artists to destroy the idols of yesterday in order to attempt irrational expressions? They seek a concordance of the elements of “sensations,” ignoring the rational combinations which only satisfy the inertia of acquired habit. Atmospheres, images, and forms are created to evoke a feeling, an emotion, to provoke a vital reaction. Art is the herald of the mentality of a period, the harbinger of its innermost tendency.”
R.A. Schwaller de Lubicz, Esoterism and Symbol

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