Claudia Wilde

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Wrong Norma
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  (page 17 of 192)
Nov 08, 2025 10:08PM

 
A Clinical Introd...
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The Iliad
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by Homer
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Byung-Chul Han
“Today, we do not deem ourselves subjugated subjects, but rather projects·, always refashioning and reinventing ourselves. A sense of freedom attends passing from the state of subject to that of project. All the same, this projection amounts to a form of compulsion and constraint - indeed, to a more efficient kind of subjeçtivation and subjugation. As a project deeming itself free of external and alien limitations, the I is now subjugating itself to internal limitations and self-constraints, which are taking the form of compulsive achievement and optimization.”
Byung-Chul Han, Psychopolitics: Neoliberalism and New Technologies of Power

Byung-Chul Han
“The neoliberal imperative of self-optimization serves only to promote perfect functioning within the system. Inhibitions, points of weakness and mistakes are to be therapeutically eliminated in order to enhance efficiency and performance. In turn, everything is made comparable and measurable and subjected to the logic of the market. It is not concern for the good life that drives self-optimization. Rather, self-optimization follows from systemic constraints - from the logic of quantifying success on the market.”
Byung-Chul Han, Psychopolitics: Neoliberalism and New Technologies of Power

Anne Carson
“As Sokrates tells it, your story begins the moment Eros enters you. That incursion is the biggest risk of your life. How you handle it is an index of the quality, wisdom, and decorum of the things inside you. As you handle it you come into contact with what is inside you, in a sudden and startling way. You perceive what you are, what you lack, what you could be.”
Anne Carson, Eros the Bittersweet

Anne Carson
“The words we read and words we write never say exactly what we mean. The people we love are never just as we desire them. The two symbola never perfectly match. Eros is in between.”
Anne Carson, Eros the Bittersweet

Anne Carson
“Eros is an issue of boundaries. He exists because certain boundaries do. In the interval between reach and grasp, between glance and counterglance, between ‘I love you’ and ‘I love you too,’ the absent presence of desire comes alive. But the boundaries of time and glance and I love you are only aftershocks of the main, inevitable boundary that creates Eros: the boundary of flesh and self between you and me. And it is only, suddenly, at the moment when I would dissolve that boundary, I realize I never can.”
Anne Carson, Eros the Bittersweet

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