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Villette
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Jan 05, 2026 08:56PM

 
The Shattered Lan...
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The Custom of the...
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Book cover for Sabrina & Corina: Stories
As we drove home, I glanced at her worn-out face resting against the window and I felt something unknowable about Sabrina, some sadness at her core that moved between us like a sickness. Where did it come from? Or had it always been there, ...more
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Hélène Cixous
“As a militant, she is an integral part of all liberations. She must be farsighted, not limited to a blow-by-blow interaction. She foresees that her liberation will do more than modify power relations or toss the ball over to the other camp; she will bring about a mutation in
human relations, in thought, in all praxis: hers is not simply a class struggle, which she carries forward into a much vaster movement. Not that in order to be a woman-in-struggle(s) you have to leave the class struggle or repudiate it; but you have to split it open, spread it out, push it forward, fill it with the fundamental struggle so as to prevent the class
struggle, or any other struggle for the liberation of a class or people, from operating as a form of repression, pretext for postponing the inevitable, the staggering alteration in power relations and in the production of individualities”
Hélène Cixous, The Laugh of the Medusa

Charlotte Brontë
“...my work had neither charm for my taste, nor hold on my interest; but it seemed to me a great thing to be without heavy anxiety, and relieved from intimate trial; the negation of severe suffering was the nearest approach to happiness I expected to know. Besides, I seemed to hold two lives--the life of thought, and that of reality; and, provided the former was nourished with a sufficiency of the strange necromantic joys of fancy, the privileges of the latter might remain limited to daily bread, hourly work, and a roof of shelter.”
Charlotte Brontë, Villette

Hélène Cixous
“I wished that that woman would write and proclaim this unique empire so that other women, other unacknowledged sovereigns, might exclaim: I, too, overflow; my desires have invented new desires, my body knows unheard-of songs. Time and again I, too, have felt so full of luminous torrents that I could burst-burst with forms much more beautiful than those which are put up in frames and sold for a stinking fortune. And I, too, said nothing, showed nothing; I didn't open my
mouth, I didn't repaint my half of the world. I was ashamed. I was afraid, and I swallowed my shame and my fear. I said to myself: You are
mad!”
Hélène Cixous, The Laugh of the Medusa

Charlotte Brontë
“When I recall the tranquil, and even happy mood in which I passed those hours, and remember, at the same time, the position in which I was placed: its hazardous--some would have said its hopeless--character; I feel that, as 'Stone walls do not a prison make/Nor iron bars--a cage' so peril, loneliness, an uncertain future, are not oppressive evils, so long as the frame is healthy and the faculties are employed; so long, especially, as Liberty lends us her wings, and Hope guides us by her star.”
Charlotte Brontë, Villette

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