Hani

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A Moon Will Rise ...
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Delusions of Gend...
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by Cordelia Fine (Goodreads Author)
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read in November 2025
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Dec 04, 2025 11:12PM

 
The Notebook: A H...
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by Roland Allen (Goodreads Author)
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Book cover for It's What I Do: A Photographer's Life of Love and War
In America I expended an incredible amount of energy on things that in Afghanistan seemed vain if not pointless, and it was refreshing to submerge myself in an unfamiliar perspective and ideology, to assimilate in both mind and dress.
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Luke Dormehl
“In essence, this means neural networks can think using analogies, which is something that could never be said for classic AI.”
Luke Dormehl, Thinking Machines: The inside story of Artificial Intelligence and our race to build the future

Yuval Noah Harari
“Still, if we combine all the victims of all these persecutions, it turns out that in these three centuries, the polytheistic Romans killed no more than a few thousand Christians.1 In contrast, over the course of the next 1,500 years, Christians slaughtered Christians by the millions to defend slightly different interpretations of the religion of love and compassion.”
Yuval Noah Harari, Sapiens: A Brief History of Humankind

N.H. Kleinbaum
“So avoid using the word ‘very’ because it’s lazy. A man is not very tired, he is exhausted. Don’t use very sad, use morose. Language was invented for one reason, boys - to woo women - and, in that endeavor, laziness will not do. It also won’t do in your essays.”
N.H. Kleinbaum, Dead Poets Society

Elena Ferrante
“every choice has its history, so many moments of our existence are shoved into a corner, waiting for an outlet, and in the end the outlet arrives.”
Elena Ferrante, Those Who Leave and Those Who Stay

Nikesh Shukla
“These themes are explored through fantasy figures such as wizards, giants and elves. At the same time, amongst the teachers and pupils at Hogwarts, there are very few people of colour and no clear explanation of why that might be. So a story that has so much to say about racism on an allegorical level at the same time depicts people of colour as marginal without exploring their marginalisation. Malorie”
Nikesh Shukla, The Good Immigrant

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