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Otaku and the Str...
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The Four Loves
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F*cked Up Fairy T...
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  (page 50 of 368)
Jun 07, 2026 07:49AM

 
See all 4 books that cobwebbing is reading…
Book cover for The Phantom of the Opera
Leaning over me, he cried, 'Look! You want to see! See! Feast your eyes, glut your soul on my cursed ugliness! Look at Erik's face! Now you know the face of the voice! You were not content to hear me, eh? You wanted to know what I looked ...more
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Marilyn  Velez
“Enraptured by an aberration of beauty, I cannot move. I find myself helpless against a woman whose pale lips sing to me. Every note, every hymn that escapes those lips, I want to hear like a story being told to a child. I want to listen to its crinkled page as it turns, but more so, I desired this creature before me.”
Marilyn Velez

Elizabeth Barrett Browning
“Is it 'the cruellest cut of all' when you talk of infinite kindness, yet attribute such villainy to me?”
Elizabeth Barrett Browning, The Love Letters of Elizabeth Barrett and Robert Browning

Robert Browning
“My friend is not "mistrustful" of me, no, because she don't fear I shall make mainprize of the stray cloaks & umbrellas down-stairs, or turn an article for "Colburn's" on her sayings & doings up-stairs--but, spite of that, she does mistrust . . . so mistrust my common sense; nay, uncommon and dramatic-poet's sense, if I am put on asserting it!--all which pieces of mistrust I could detect, and catch struggling, and pin to death in a moment, and put a label on, with name, genus & species, just like a horrible entomologist; only I wo'n't, because the first visit of the North wind will carry the whole tribe into the Red Sea--and those horns and tails and scalewings are best forgotten altogether.”
Robert Browning, The Love Letters of Elizabeth Barrett Browning & Robert Browning: Enriched edition. Romantic Correspondence between two great poets of the Victorian era

Amal El-Mohtar
“Tell me something true, or tell me nothing at all.”
Amal El-Mohtar, This Is How You Lose the Time War

A.G. Howard
“. . . the jaundiced skin, crinkled and waxy . . . stretched so thin that every vein and frayed capillary manifested itself like a gruesome road map, revealing large hematomas, red and pulsing underneath; the cavernous indentions above his eyebrows, making his eyes appear sunken; and most horrifying of all, the bridge of a nose stopping almost before it started, leaving no cartilage to cover the two large, black holes from which he breathed. A missing upper lip opened to a row of teeth, so perfect and straight, that like the strong and flawless chin below, they mocked the jigsaw-puzzle face above.”
A.G. Howard, RoseBlood

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