“Any clear thing that blinds us with surprise,
your wandering silences and bright trouvailles,
dolphin let loose to catch the flashing fish...
saying too little, then too much.
Poets die adolescents, their beat embalms them,
the archetypal voices sing offkey;
the old actor cannot read his friends,
and nevertheless he reads himself aloud,
genuis hums the auditorium dead.
The line must terminate.
Yet my heart rises, I know I've gladdened a lifetime
knotting, undoing a fishnet of tarred rope;
the net will hang on the wall when the fish are eaten,
nailed like illegible bronze on the futureless future.”
―
your wandering silences and bright trouvailles,
dolphin let loose to catch the flashing fish...
saying too little, then too much.
Poets die adolescents, their beat embalms them,
the archetypal voices sing offkey;
the old actor cannot read his friends,
and nevertheless he reads himself aloud,
genuis hums the auditorium dead.
The line must terminate.
Yet my heart rises, I know I've gladdened a lifetime
knotting, undoing a fishnet of tarred rope;
the net will hang on the wall when the fish are eaten,
nailed like illegible bronze on the futureless future.”
―
“My Dolphin, you only guide me by surprise,
a captive as Racine, the man of craft,
drawn through his maze of iron composition
by the incomparable wandering voice of Phèdre.
When I was troubled in mind, you made for my body
caught in its hangman's-knot of sinking lines,
the glassy bowing and scraping of my will. . . .
I have sat and listened to too many
words of the collaborating muse,
and plotted perhaps too freely with my life,
not avoiding injury to others,
not avoiding injury to myself--
to ask compassion . . . this book, half fiction,
an eelnet made by man for the eel fighting
my eyes have seen what my hand did.”
―
a captive as Racine, the man of craft,
drawn through his maze of iron composition
by the incomparable wandering voice of Phèdre.
When I was troubled in mind, you made for my body
caught in its hangman's-knot of sinking lines,
the glassy bowing and scraping of my will. . . .
I have sat and listened to too many
words of the collaborating muse,
and plotted perhaps too freely with my life,
not avoiding injury to others,
not avoiding injury to myself--
to ask compassion . . . this book, half fiction,
an eelnet made by man for the eel fighting
my eyes have seen what my hand did.”
―
“That's one of the central problems of history, isn't it, sir? The question of subjective versus objective interpretation, the fact that we need to know the history of the historian in order to understand the version that is being put in front of us.”
― The Sense of an Ending
― The Sense of an Ending
“The man had asked, Why do you want sheep? The wool? Meat? Monroe's answer had been, For the atmosphere.”
― Cold Mountain
― Cold Mountain
“Too many poets act like a middle-aged mother trying to get her kids to eat too much cooked meat, and potatoes with drippings (tears). I don't give a damn whether they eat or not. Forced feeding leads to excessive thinness (effete). Nobody should experience anything they don't need to, if they don't need poetry bully for them. I like the movies too. And after all, only Whitman and Crane and Williams, of the American poets, are better than the movies.”
―
―
Littérature française
— 70 members
— last activity Oct 31, 2010 08:38PM
Français -------- French literature ادبیات فرانسه Literatura de Francia أدب فرنسي Letteratura francese Literatura francuska Literatura francesa Fransı ...more
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