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One Day in December
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by Josie Silver (Goodreads Author)
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The Daily Artist'...
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  (page 24 of 400)
Nov 18, 2025 10:16AM

 
Eloquent JavaScri...
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Pam Houston
“I have spent most of my life outside, but for the last three years, I have been walking five miles a day, minimum, wherever I am, urban or rural, and can attest to the magnitude of the natural beauty that is left. Beauty worth seeing, worth singing, worth saving, whatever that word can mean now. There is beauty in a desert, even one that is expanding. There is beauty in the ocean, even one that is on the rise.”
Pam Houston, Deep Creek: Finding Hope in the High Country

Pam Houston
“There is something so pleasingly pure about having a task to be accomplished and then accomplishing it. It is the exact opposite of writing, and pretty close to the opposite of teaching. In both writing and teaching, nothing is ever finished, only finished enough to let go.”
Pam Houston, Deep Creek: Finding Hope in the High Country

Pam Houston
“I’m just saying, I guess, there’s another version, after this version, to look forward to. Because of wisdom or hormones or just enough years going by. If you live long enough you quit chasing the things that hurt you; you eventually learn to hear the sound of your own voice.”
Pam Houston, Deep Creek: Finding Hope in the High Country

Pam Houston
“had been born knowing that if you held the proper measuring stick, animals would always test smarter than people, and nothing I’ve seen in my lifetime has disabused me of that notion. We may have more complicated language, opposable thumbs and this dangerous thing called reason, but any self-respecting llama or buffalo or spider knows enough not to destroy its own home.”
Pam Houston, Deep Creek: Finding Hope in the High Country

Pam Houston
“For now, I want to sit vigil with the earth the same way I did with Fenton. I want to write unironic odes to her beauty, which is still potent, if not completely intact. The language of the wilderness is the most beautiful language we have and it is our job to sing it, until and even after it is gone, no matter how much it was face-to-face with my familiar koan: how to be with the incandescent beauty of the iceberg without grieving the loss of polar bear habitat its appearance implied. How to grieve the polar bear without loving it any less. How to let the sight of such a strange and beautiful thing as this floating jewel make me happy, as wild and surprising things have always done, from the top of my head to the tips of my toes. How to hang on to that full-body joy I knew I was capable of and still understand it as elegy?”
Pam Houston, Deep Creek: Finding Hope in the High Country

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