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“Ad astra per aspera, to the stars through adversity”
― Amy & Roger's Epic Detour
― Amy & Roger's Epic Detour
“grief is a house
where the chairs
have forgotten how to hold us
the mirrors how to reflect us
the walls how to contain us
grief is a house that disappears
each time someone knocks at the door
or rings the bell
a house that blows into the air
at the slightest gust
that buries itself deep in the ground
while everyone is sleeping
grief is a house where no one can protect you
where the younger sister
will grow older than the older one
where the doors
no longer let you in
or out”
― The Sky Is Everywhere
where the chairs
have forgotten how to hold us
the mirrors how to reflect us
the walls how to contain us
grief is a house that disappears
each time someone knocks at the door
or rings the bell
a house that blows into the air
at the slightest gust
that buries itself deep in the ground
while everyone is sleeping
grief is a house where no one can protect you
where the younger sister
will grow older than the older one
where the doors
no longer let you in
or out”
― The Sky Is Everywhere
“Everyone has always said I look like Bailey, but I don't.
I have grey eyes to her green,
an oval face to her heart-shaped one,
I'm shorter, scrawnier, paler, flatter, plainer, tamer.
All we shared is a madhouse of curls
that I imprison in a ponytail
while she let hers rave
like madness
around her head.
I don't sing in my sleep
or eat the petals off flowers
or run into the rain instead of out of it.
I'm the unplugged-in one,
the side-kick sister,
tucked into a corner of her shadow.
Boys followed her everywhere;
they filled the booths at the restaurant where she waitressed,
herded around her at the river.
One day, I saw a boy come up behind her
and pull a strand of her long hair
I understood this-
I felt the same way.
In photographs of us together,
she is always looking at the camera,
and I am always looking at her.”
― The Sky Is Everywhere
I have grey eyes to her green,
an oval face to her heart-shaped one,
I'm shorter, scrawnier, paler, flatter, plainer, tamer.
All we shared is a madhouse of curls
that I imprison in a ponytail
while she let hers rave
like madness
around her head.
I don't sing in my sleep
or eat the petals off flowers
or run into the rain instead of out of it.
I'm the unplugged-in one,
the side-kick sister,
tucked into a corner of her shadow.
Boys followed her everywhere;
they filled the booths at the restaurant where she waitressed,
herded around her at the river.
One day, I saw a boy come up behind her
and pull a strand of her long hair
I understood this-
I felt the same way.
In photographs of us together,
she is always looking at the camera,
and I am always looking at her.”
― The Sky Is Everywhere
“At night,
when we were little,
we tented Bailey's covers,
crawled underneath with our flashlights
and played cards: Hearts,
Whist, Crazy Eights, and our favourite: Bloody Knuckles.
The competition was vicious,
All day, every day,
we were the Walker Girls -
two peas in a pod
thick as thieves -
but when Gram closed the door
for the night,
we bared our teeth.
We played for chores,
for slave duty,
for truths and dares and money.
We played to be better, brighter,
to be more beautiful,
more,
just more.
But it was all a ruse -
we played
so we could fall asleep
in the same bed
without having to ask,
so we could wrap together
like a braid,
so while we slept
our dreams could switch bodies.
(Found written on the inside cover of Wuthering Heights, Lennie's room)”
― The Sky Is Everywhere
when we were little,
we tented Bailey's covers,
crawled underneath with our flashlights
and played cards: Hearts,
Whist, Crazy Eights, and our favourite: Bloody Knuckles.
The competition was vicious,
All day, every day,
we were the Walker Girls -
two peas in a pod
thick as thieves -
but when Gram closed the door
for the night,
we bared our teeth.
We played for chores,
for slave duty,
for truths and dares and money.
We played to be better, brighter,
to be more beautiful,
more,
just more.
But it was all a ruse -
we played
so we could fall asleep
in the same bed
without having to ask,
so we could wrap together
like a braid,
so while we slept
our dreams could switch bodies.
(Found written on the inside cover of Wuthering Heights, Lennie's room)”
― The Sky Is Everywhere
“Oh, God,’ he whispers, reaching his hand behind my neck and bringing my lips to his. ‘Let’s let the whole fucking world explode this time.’
And we do.”
― The Sky Is Everywhere
And we do.”
― The Sky Is Everywhere
Tessa’s 2025 Year in Books
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