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Dark Night of the...
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Self-Reliance and...
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Anaïs Nin
“Man can never know the loneliness a woman knows. Man lies in the woman's womb only to gather strength, he nourishes himself from this fusion, and then he rises and goes into the world, into his work, into battle, into art. He is not lonely. He is busy. The memory of the swim in amniotic fluid gives him energy, completion. Woman may be busy too, but she feels empty. Sensuality for her is not only a wave of pleasure in which she is bathed, and a charge of electric joy at contact with another. When man lies in her womb, she is fulfilled, each act of love a taking of man within her, an act of birth and rebirth, of child rearing and man bearing. Man lies in her womb and is reborn each time anew with a desire to act, to be. But for woman, the climax is not in the birth, but in the moment man rests inside of her.”
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

Anaïs Nin
“What we call our destiny is truly our character and that character can be altered. The knowledge that we are responsible for our actions and attitudes does not need to be discouraging, because it also means that we are free to change this destiny. One is not in bondage to the past, which has shaped our feelings, to race, inheritance, background. All this can be altered if we have the courage to examine how it formed us. We can alter the chemistry provided we have the courage to dissect the elements.”
Anais Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

Anaïs Nin
“She makes use of the soft of the bread for a napkin. She falls asleep at times with shoes on, on unmade beds. When a little money comes in, June buys delicacies, strawberries in the winter, caviar and bath salts.”
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

Anaïs Nin
“I have no brakes on...analysis is for those who are paralyzed by life.”
Anais Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

Anaïs Nin
“Ordinary life does not interest me. I seek only the high moments. I am in accord with the surrealists, searching for the marvelous. I want to be a writer who reminds others that these moments exist; I want to prove that there is infinite space, infinite meaning, infinite dimension. But I am not always in what I call a state of grace. I have days of illuminations and fevers. I have days when the music in my head stops. Then I mend socks, prune trees, can fruits, polish furniture. But while I am doing this I feel I am not living.”
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

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