Brett Childs

“In a traditional civilization it is almost inconceivable that a man should claim an idea as his own; [...] If an idea is true, it belongs equally to all who are capable of understanding it; if it is false, there is no credit in having invented it. A true idea cannot be 'new', for truth is not a product of the human mind; it exists independently of us, and all we have to do is to take cognizance of it; outside this knowledge there can be nothing but error: but do the moderns on the whole care much about truth, or do they even know what it is? Here again words have lost their real meaning, inasmuch as some people-for instance contemporary pragmatists-go so far as to misappropriate the word 'truth' for what is simply practical utility, that is to say for something that is quite foreign to the intellectual order. The logical outcome of the modern deviation is precisely the negation of truth, as well as of the intelligence of which truth is the object.”
― René Guénon, The Crisis of the Modern World

“We have shown that art is essentially symbolic, and only accidentally illustrative or historical ; and finally that art, even the highest, is only the means to an end, that even the scriptural art is only a manner of "seeing through a glass, darkly," and that although this is far better than not to see at all, the utility of iconography must come to an end when vision is "face to face.”
― Ananda K. Coomaraswamy, Christian & Oriental Philosophy of Art Formerly: "Why Exhibit Works of Art?"

“Industry without art is brutality. Art is specifically human. None of those primitive peoples, past or present, whose culture we affect to despise and propose to amend, has dispensed with art; from the stone age onwards, everything made by man, under whatever conditions of hardship or poverty, has been made by art to serve a double purpose, at once utilitarian and ideological.
It is we who, collectively speaking at least, command amply sufficient resources, and who do not shrink from wasting these resources, who have first proposed to make a division of art, one sort to be barely utilitarian, the other luxurious, and altogether omitting what was once the highest function of art, to express and to communicate ideas.”
― Ananda K. Coomaraswamy, Christian & Oriental Philosophy of Art Formerly: "Why Exhibit Works of Art?"

“The worker works for what he needs, the player plays because of what he is.”
― Ananda K. Coomaraswamy