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“To have lost the art of thinking in images is precisely to have lost the proper linguistic of metaphysics and to have descended to the verbal logic of philosophy.”
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“This theory of beauty is not developed with respect to artefacts alone, but universally. It is independent of taste, for it is recognized that as Augustine says, there are those who take pleasure in deformities. The word deformity is significant here, because it is precisely a formal beauty that is in question; and we must not forget that "formal" includes the connotation "formative." The recognition of beauty depends on judgment, not on sensation; the beauty of the æsthetic surfaces depending on their information, and not upon themselves, Everything, whether natural or artificial, is beautiful to the extent that it really is what it purports to be, and independently of all comparisons; or ugly to the extent that its own form is not expressed and realized in its tangible actuality. The work of art is beautiful, accordingly, in terms of perfection, or truth and aptitude as defined above; whatever is inept or vague cannot be considered beautiful, however it may be valued by those who "know what they like.”
― Christian & Oriental Philosophy of Art Formerly: "Why Exhibit Works of Art?"
― Christian & Oriental Philosophy of Art Formerly: "Why Exhibit Works of Art?"
“In a traditional civilization it is almost inconceivable that a man should claim an idea as his own; [...] If an idea is true, it belongs equally to all who are capable of understanding it; if it is false, there is no credit in having invented it. A true idea cannot be 'new', for truth is not a product of the human mind; it exists independently of us, and all we have to do is to take cognizance of it; outside this knowledge there can be nothing but error: but do the moderns on the whole care much about truth, or do they even know what it is? Here again words have lost their real meaning, inasmuch as some people-for instance contemporary pragmatists-go so far as to misappropriate the word 'truth' for what is simply practical utility, that is to say for something that is quite foreign to the intellectual order. The logical outcome of the modern deviation is precisely the negation of truth, as well as of the intelligence of which truth is the object.”
― The Crisis of the Modern World
― The Crisis of the Modern World
“Industry without art is brutality. Art is specifically human. None of those primitive peoples, past or present, whose culture we affect to despise and propose to amend, has dispensed with art; from the stone age onwards, everything made by man, under whatever conditions of hardship or poverty, has been made by art to serve a double purpose, at once utilitarian and ideological.
It is we who, collectively speaking at least, command amply sufficient resources, and who do not shrink from wasting these resources, who have first proposed to make a division of art, one sort to be barely utilitarian, the other luxurious, and altogether omitting what was once the highest function of art, to express and to communicate ideas.”
― Christian & Oriental Philosophy of Art Formerly: "Why Exhibit Works of Art?"
It is we who, collectively speaking at least, command amply sufficient resources, and who do not shrink from wasting these resources, who have first proposed to make a division of art, one sort to be barely utilitarian, the other luxurious, and altogether omitting what was once the highest function of art, to express and to communicate ideas.”
― Christian & Oriental Philosophy of Art Formerly: "Why Exhibit Works of Art?"
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