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Michele Jaffe
“Are we running away from home?” I asked, giving voice to the question that had been on my mind for two days, ever since the lady at the Wok On restaurant asked where we were from and my mother lied.
My mother had laughed. I couldn’t see her face, but her laugh I could always conjure—rich, ringing, like bells calling you to a wedding. “No, silly goose. You can’t run away from home. It’s not home if you want to run away from it.” She paused to brush a strand of hair from my face. “You can only run away from a house. Home is something you run toward.”
Michele Jaffe, Ghost Flower

C. JoyBell C.
“You can run away from yourself so often, and so much, just because the broken pieces of you cut your feet too deeply if you stay around for too long. But then what if someone were to come along and pick up those pieces for you? Then you wouldn't have to run away from yourself anymore. You could stop running. If someone sees you as something worth staying with— maybe you'll stay with yourself, too.”
C. JoyBell C.

Margery Williams Bianco
“Real isn't how you are made,' said the Skin Horse. 'It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.'

'Does it hurt?' asked the Rabbit.

'Sometimes,' said the Skin Horse, for he was always truthful. 'When you are Real you don't mind being hurt.'

'Does it happen all at once, like being wound up,' he asked, 'or bit by bit?'

'It doesn't happen all at once,' said the Skin Horse. 'You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand.”
Margery Williams Bianco, The Velveteen Rabbit

David Foster Wallace
“The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.”
David Foster Wallace

J.K. Rowling
“I want to commit the murder I was imprisoned for.”
J.K. Rowling, Harry Potter and the Prisoner of Azkaban

year in books
maxine ...
6 books | 19 friends

Christina
5 books | 62 friends

Lucy White
0 books | 37 friends

Andrew ...
1 book | 8 friends

Kim All...
65 books | 17 friends

Kimberl...
19 books | 23 friends




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