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Sense and Sensibi...
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Alex Michaelides
“I held my hands outstretched, catching snowflakes, watching them vanish on my fingertips. It felt joyous and frustrating and spoke to some truth I couldn’t express; my vocabulary was too limited, my words too loose a net in which to catch it. Somehow grasping at vanishing snowflakes is like grasping at happiness: an act of possession that instantly gives way to nothing.”
Alex Michaelides, The Silent Patient

Bram Stoker
“Nothing in the world seems of sufficient importance to be worth the doing. As I knew that the only cure for this sort of thing was work, I went amongst the patients.”
Bram Stoker, Dracula (The Gothic Chronicles Collection): Deluxe Edition

Oscar Wilde
“It often happens that the real tragedies of life occur in such an inartistic manner that they hurt us by their crude violence, their absolute incoherence, their absurd want of meaning, their entire lack of style. They affect us just as vulgarity affects us. They give us an impression of sheer brute force, and we revolt against that. Sometimes, however, a tragedy that possesses artistic elements of beauty crosses our lives. If these elements of beauty are real, the whole thing simply appeals to our sense of dramatic effect. Suddenly we find that we are no longer the actors, but the spectators of the play. Or rather we are both. We watch ourselves, and the mere wonder of the spectacle enthralls us.”
Oscar Wilde, The Picture of Dorian Gray (The Gothic Chronicles Collection): Deluxe Edition

Margaret Atwood
“What could she have been thinking about? Not much, I guess; not back then, not at the time. She was thinking about how not to think. The times were abnormal.”
Margaret Atwood, The Handmaid's Tale

Alex Michaelides
“She was right. I had been groping for the right words to express that murky feeling of betrayal inside, the horrible hollow ache, and to hear Ruth say it—“the pain of not being loved”—I saw how it pervaded my entire consciousness and was at once the story of my past, present, and future. This wasn’t just about Kathy: it was about my father, and my childhood feelings of abandonment; my grief for everything I never had and, in my heart, still believed I never would have. Ruth was saying that was why I chose Kathy. What better way for me to prove that my father was correct—that I’m worthless and unlovable—than by pursuing someone who will never love me? I buried my head in my hands. “So all this was inevitable? That’s what you’re saying—I set myself up for this? It’s fucking hopeless?” “It’s not hopeless. You’re not a boy at the mercy of your father anymore. You’re a grown man now—and you have a choice. Use this as another confirmation of how unworthy you are—or break with the past. Free yourself from endlessly repeating it.”
Alex Michaelides, The Silent Patient

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