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aeulf

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aeulf’s currently-reading shelf

Пробуждение Левиафана by James S.A. Corey

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Всемирная история рекламы by Mark Tungate

Seeker's Guide to Harry Potter, The by Dr Trevarthen

1793. История одного убийства by Niklas Natt och Dag

Рисовый штурм и еще 21 способ мыслить нестандартно. by Michael Michalko

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aeulf’s Bookshelves

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svenska‎ (27)

design-marketing‎ (26)
mythology‎ (21)

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aeulf is Currently Reading

aeulf is currently reading

The Fellowship of the Ring (The Lord of the Rings, #1)

by J.R.R. Tolkien

bookshelves: favorites, english, currently-reading

Reading for the 2nd time

read in January 2005

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Apr 29, 2025 04:38AM

aeulf is currently reading

Exodus (Archimedes Engine #1)

by Peter F. Hamilton (Goodreads Author)

bookshelves: currently-reading, english

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Feb 25, 2025 02:09AM

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Tales from the Viking Age: Captivating Legendary and Historical Sagas (Scandinavian Mythology)

by Matt Clayton

bookshelves: currently-reading, nordic, english, mythology

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Jan 21, 2025 05:00AM

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aeulf’s Quotes

“Good ideas are always crazy until they’re not.”
― Ashlee Vance, Elon Musk: How the Billionaire CEO of SpaceX and Tesla is Shaping our Future

241 likes

“Is it better to speak or die?”
― André Aciman, Call Me by Your Name

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“... This style of interior design that developed during the 1940s and 1950s has been understood as a specifically Swedish form of modernism, later called ‘Swedish Modern’, and clearly associated with the broader concept of ‘Scandinavian Design”
― Ludwig Qvarnström, Swedish Art History : A Selection of Introductory Texts

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“From Town Plan to Cutlery (Från stadsplan till matbestick) was the evocative title of a Swedish exhibition held in Zürich in 1949. It can be viewed as a symbol of the 1950’s dream of being able to design everything in society and in everyday life – down to the smallest detail.”
― Ludwig Qvarnström, Swedish Art History : A Selection of Introductory Texts

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“Most visibly and politically effectual were the twelve large-scale photographs by Elisabeth Ohlson Wallin (b. 1961) forming the exhibition Ecce Homo (1998). The photographs depict classical situations in the life of Christ, but they are staged in contemporary settings with obviously gay and lesbian models – naked, in leather gear, transvestites, HIV-positive, etc...”
― Ludwig Qvarnström, Swedish Art History : A Selection of Introductory Texts

tags: art-history, swedish-art

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