Vicki

“It is this experience of seeing something one has written come alive—literally, not metaphorically, a character or scene daemonically entering the world by its own strange power, so that the writer feels not the creator but only the instrument, or conjurer, the priest who stumbled onto the magic spell—it is this experience of tapping some magic source that makes the writer an addict, willing to give up almost anything for his art, and makes him, if he fails, such a miserable human being.”
― John Gardner, On Becoming a Novelist

“Good writers may “tell” about almost anything in fiction except the characters’ feelings. One may tell the reader that the character went to a private school (one need not show a scene at the private school if the scene has no importance for the rest of the narrative), or one may tell the reader that the character hates spaghetti; but with rare exceptions the characters’ feelings must be demonstrated: fear, love, excitement, doubt, embarrassment, despair become real only when they take the form of events—action (or gesture), dialogue, or physical reaction to setting. Detail is the lifeblood of fiction.”
― John Gardner, On Becoming a Novelist

“Writer's block comes from the feeling that one is doing the
wrong thing or doing the right thing badly. Fiction written for
the wrong reason may fail to satisfy the motive behind it and
thus may block the writer, as I've said; but there is no wrong
motive for writing fiction. At least in some instances, good
fiction has come from the writer's wish to be loved, his wish
to take revenge, his wish to work out his psychological woes,
his wish for money, and so on. No motive is too low for art;
finally it's the art, not the motive, that we judge.”
― John Gardner, On Becoming a Novelist

“The best way a writer can find to keep himself going is to live off his (or her) spouse. The trouble is that, psychologically at least, it’s hard. Our culture teaches none of its false lessons more carefully than that one should never be dependent. Hence the novice or still unsuccessful writer, who has enough trouble believing in himself, has the added burden of shame. It’s hard to be a good writer and a guilty person; a lack of self-respect creeps into one’s prose.”
― John Gardner, On Becoming a Novelist