Vicki

“Fiction, like sculpture or painting, begins with a rough
sketch. One gets down the characters and their behavior any
way one can, knowing the sentences will have to be revised,knowing the characters' actions may change. It makes no difference
how clumsy the sketch is—sketches are not supposed
to be polished and elegant. All that matters is that, going over
and over the sketch as if one had all eternity for finishing one's
story, one improves now this sentence, now that, noticing
what changes the new sentences urge, and in the process one
gets the characters and their behavior clearer in one's head,
gradually discovering deeper and deeper implications of the
characters' problems and hopes.”
― john gardner, On Becoming a Novelist

“Writer's block comes from the feeling that one is doing the
wrong thing or doing the right thing badly. Fiction written for
the wrong reason may fail to satisfy the motive behind it and
thus may block the writer, as I've said; but there is no wrong
motive for writing fiction. At least in some instances, good
fiction has come from the writer's wish to be loved, his wish
to take revenge, his wish to work out his psychological woes,
his wish for money, and so on. No motive is too low for art;
finally it's the art, not the motive, that we judge.”
― John Gardner, On Becoming a Novelist

“Good writers may “tell” about almost anything in fiction except the characters’ feelings. One may tell the reader that the character went to a private school (one need not show a scene at the private school if the scene has no importance for the rest of the narrative), or one may tell the reader that the character hates spaghetti; but with rare exceptions the characters’ feelings must be demonstrated: fear, love, excitement, doubt, embarrassment, despair become real only when they take the form of events—action (or gesture), dialogue, or physical reaction to setting. Detail is the lifeblood of fiction.”
― John Gardner, On Becoming a Novelist

“It is the nature of stupid people to hide their perplexity and attack what they cannot grasp.”
― John Gardner, On Becoming a Novelist