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The Bronze Horseman
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A Room with a View
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  (page 92 of 240)
Jul 20, 2026 05:53PM

 
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Daphne du Maurier
“It seemed to me that I had no feeling left, either for what had happened or for what was yet to come. Mac had destroyed, with his own hands, the single thread of evidence that had brought us, through the whole of yesterday, to this morning’s dawn. The ultimate dream of every scientist, to give the first answer to the meaning of death, had belonged to us for a brief few hours. We had captured the energy, the energy had ignited the spark, and from that point on there had appeared to loom world after world of discovery.”
Daphne du Maurier, The Breakthrough

Mark Fisher
“The most Gothic description of Capital is also the most accurate. Capital is an abstract parasite, an insatiable vampire and zombiemaker; but the living flesh it converts into dead labor is ours, and the zombies it makes are us. There is a sense in which it simply is the case that the political elite are our servants; the miserable service they provide from us is to launder our libidos, to obligingly re-present for us our disavowed desires as if they had nothing to do with us.”
Mark Fisher, Capitalist Realism: Is There No Alternative?

Benjamin Wood
“He's always been suspicious of excitement - nothing he anticipates is ever worth the wait or turns out quite the same as he expects - but still, it's coursing through him like a medicine. If it's true that better luck will come to you through patience and determination, he's not felt the benefits of that approach so far.”
Benjamin Wood, Seascraper

Benjamin Wood
“A lot of the big studio guys are straight from Harvard Business School or Princeton, and they’re quick to let you know about it in a meeting. But they never have a thought worth sharing – their whole lives are built on status. More than that: they want conformity. They’re terrified of what’s original, because it undermines them. So they get behind what’s mediocre, keep on feeding you their trash as though it’s good for you.”
Benjamin Wood, Seascraper

“Another silence. He was standing very still now. Was it a trick of the mist or was he really a very long way away from me, a lonely figure in the queerly-lit darkness? It came to me suddenly that this was how I would always remember him, someone standing alone, apart from the others even of his own family. And, I think for the first time, I began to see him as he really was—not any more as a projection of my young romantic longings, not any more as Prince Charming, the handsome sophisticate, the tiger I thought I preferred. . . . This was Raoul, who had been a quiet, lonely little boy in a house that was "not a house for children," an unhappy adolescent brought up in the shadowof a megalomaniac father, a young man fighting bitterly to save his small inheritance from ruin . . . wild, perhaps, hard, perhaps, plunging off the beaten track more than once . . . but always alone. Wrapped up in my loneliness and danger I hadn't even seen that his need was the same as my own. He and I had hoed the same row, and he for a more bitter harvest.”
Mary Stewart, NINE COACHES WAITING

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