Arlette

“Sarah DiMuccio, an American researcher and PhD student at New York University, published a paper in Psychology of Men & Masculinity that offered a simple, cultural definition of that type of manhood that stuck with me. Comparing the Danish idea of masculinity with the American one, she found that the major difference between them was that in Denmark, men said to 'be a man' meant not being a boy.

American men said that to 'be a man' was to not be a woman.

That is, Niobe Way says, where all the trouble starts. If being 'feminine' is the opposite of being a man, then many qualities that Americans associate with women (such as empathy, which shows up in boys as well as girls) are not just frowned upon, but destroyed in boyhood. 'You're only a man by not being a woman,' Way told me. 'That's basing someone's humanness on someone else's dehumanization.”
― Thomas Page McBee, Amateur: A True Story About What Makes a Man

“44. [...] later that afternoon, a therapist will say to me, "If he hadn’t lied to you, he would have been a different person than he is." She is trying to get me to see that although I thought I loved this man very completely for exactly who he was, I was in fact blind to the man he actually was, or is.
45. This pains me enormously. She presses me to say why; I can’t answer. Instead I say something about how clinical psychology forces everything we call love into the pathological or the delusional or the biologically explicable, that if what I was feeling wasn’t love then I am forced to admit that I don’t know what love is, or, more simply, that I loved a bad man. How all of these formulations drain the blue right out of love and leave an ugly, pigmentless fish flapping on a cutting board on a kitchen counter.”
― Maggie Nelson, Bluets

“It's in the spirit of male loneliness to imagine that someone has to suffer for it.”
― Hanif Abdurraqib, They Can't Kill Us Until They Kill Us: Essays

“We believe the one who has power. He is the one who gets to write the story. So when you study history, you must ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there you get a clearer, yet still imperfect, picture.”
― Yaa Gyasi, Homegoing