Smark

“renovating the artist’s studio that sat nestled among a grouping of trees on the far side of the property. Initially, Kurt thought he might use the studio as a writing retreat separate from where he lived, with the idea that leaving the cottage to work might give him a chance to actually have a life and not feel pressure to write twenty-four-seven. What he found was that the studio was too far removed from the sights and sounds that inspired him, and it made him feel like even”
― Addison Cole, Read, Write, Love at Seaside