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“I have come to see this fear, this sense of my own imperilment by my creations, as not only an inevitable, necessary part of writing fiction but as virtual guarantor, insofar as such a thing is possible, of the power of my work: as a sign that I am on the right track, that I am following the recipe correctly, speaking the proper spells. Literature, like magic, has always been about the handling of secrets, about the pain, the destruction and the marvelous liberation that can result when they are revealed. Telling the truth, when the truth matters most, is almost always a frightening prospect. If a writer doesn’t give away secrets, his own or those of the people he loves; if she doesn’t court disapproval, reproach and general wrath, whether of friends, family, or party apparatchiks; if the writer submits his work to an internal censor long before anyone else can get their hands on it, the result is pallid, inanimate, a lump of earth. The adept handles the rich material, the rank river clay, and diligently intones his alphabetical spells, knowing full well the history of golems: how they break free of their creators, grow to unmanageable size and power, refuse to be controlled. In the same way, the writer shapes his story, flecked like river clay with the grit of experience and rank with the smell of human life, heedless of the danger to himself, eager to show his powers, to celebrate his mastery, to bring into being a little world that, like God’s, is at once terribly imperfect and filled with astonishing life.
Originally published in The Washington Post Book World”
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Originally published in The Washington Post Book World”
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“Literature is, to my mind, the great teaching power of the world, the ultimate creator of all values, and it is this, not only in the sacred books whose power everybody acknowledges, but by every movement of imagination in song or story or drama that height of intensity and sincerity has made literature at all. Literature must take the responsibility of its power, and keep all its freedom: it must be like the spirit and like the wind that blows where it listeth; it must claim its right to pierce through every crevice of human nature, and to descrive the relation of the soul and the heart to the facts of life and of law, and to describe that relation as it is, not as we would have it be...”
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“Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage. Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love.”
― Letters to a Young Poet
― Letters to a Young Poet
“I heard the bells on Christmas Day
Their old, familiar carols play,
And wild and sweet
The words repeat
Of peace on earth, good-will to men!”
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Their old, familiar carols play,
And wild and sweet
The words repeat
Of peace on earth, good-will to men!”
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“I realised the amazing power of literature and of the human imagination generally: to make the dead live and to stop the living from dying.”
― Love and Garbage
― Love and Garbage
Around the World in 80 Books
— 32016 members
— last activity 13 hours, 34 min ago
Reading takes you places. Where in the world will your next book take you? If you love world literature, translated works, travel writing, or explorin ...more
Zen Buddhism
— 209 members
— last activity Aug 15, 2022 12:17AM
Discussion of books about Zen Buddhism in general and American Zen in particular.
Goodreads Librarians Group
— 345623 members
— last activity 1 minute ago
Goodreads Librarians are volunteers who help ensure the accuracy of information about books and authors in the Goodreads' catalog. The Goodreads Libra ...more
A Place for Recommendations
— 97 members
— last activity Jan 03, 2018 07:46PM
If you want to give recommendations, receive recommendations or have more people check out your reviews, this is the place for you.
Saskia’s 2025 Year in Books
Take a look at Saskia’s Year in Books, including some fun facts about their reading.
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