Nicolas Freeman

“I think there's a kind of desperate hope built into poetry now that one really wants, hopelessly, to save the world. One is trying to say everything that can be said for the things that one loves while there's still time.”
― W.S. Merwin

“Imagine standing by a window at night, on the sixth or seventeenth or forty-third floor of a building. The city reveals itself as a set of cells, a hundred thousand windows, some darkened and some flooded with green or white or golden light. Inside, strangers swim to and fro, attending to the business of their private hours. You can see them, but you can't reach them, and so this commonplace urban phenomenon, available in any city of the world on any night, conveys to even the most social a tremor of loneliness, its uneasy combination of separation and exposure.”
― Olivia Laing, The Lonely City: Adventures in the Art of Being Alone

“To make the private into something public is an action that has terrific repercussions in the pre-invented world.”
― David Wojnarowicz

“I’ve read about how alienated we’ve become, tethered to our devices, leery of real contact; how we are heading for a crisis of intimacy, as our ability to socialise withers and atrophies. But this is like looking through the wrong end of a telescope. We haven’t just become alienated because we’ve subcontracted so many elements of our social and emotional lives to machines. It’s no doubt a self-perpetuating cycle, but part of the impetus for inventing as well as buying these things is that contact is difficult, frightening, sometimes intolerably dangerous.”
― Olivia Laing, The Lonely City: Adventures in the Art of Being Alone