Justin S Bockman

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Old Christmas
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The Big Fella: Ba...
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Russell D. Moore
“When we adopt—and when we encourage a culture of adoption in our churches and communities—we’re picturing something that’s true about our God. We, like Jesus, see what our Father is doing and do likewise (John 5:19). And what our Father is doing, it turns out, is fighting for orphans, making them sons and daughters.”
Russell D. Moore, Adopted for Life (Foreword by C. J. Mahaney): The Priority of Adoption for Christian Families and Churches

“The purpose for your authority in the lives of your children is not to hold them under your power, but to empower them to be self-controlled people living freely under the authority of God.”
Tedd Tripp, Shepherding a Child's Heart

J.I. Packer
“Among the seven deadly sins of medieval lore was sloth (acedia)—a state of hard-bitten, joyless apathy of spirit. There is a lot of it around today in Christian circles; the symptoms are personal spiritual inertia combined with critical cynicism about the churches and supercilious resentment of other Christians’ initiative and enterprise.”
J.I. Packer, Knowing God

Andrew       Peterson
“My friend N. D. Wilson was teaching once, and he asked the class to name some adjectives that describe Christian art. We said words like “mediocre,” “cheesy,” “shallow,” “trite,” “saccharine,” and “derivative.” He wrote them on the board, and the class nodded smugly. Then he reminded us that he didn’t specify modern American Christian art. What if we answered that question with people in mind like J. S. Bach, Tolkien, Rembrandt, Carravagio, and George Herbert? The adjectives change, don’t they? And for that matter, I would argue that even modern American art by Christians is far from cheesy and trite—if you’re looking in the right place.”
Andrew Peterson, Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making

J.K. Rowling
“When his bravery at the Battle of Hogwarts was publicised, his actions (along with those of Regulus Black, which gained attention in the aftermath of Voldemort’s demise) removed much of the stigma that had been attached to Slytherin house for hundreds of years past. Though now (permanently) retired, his portrait has a place of honour in the Slytherin common room.”
J.K. Rowling, Short Stories from Hogwarts of Power, Politics and Pesky Poltergeists

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