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“other form without the prior written permission of the author, although permission may easily be obtained upon receipt of compliments and winky-glances while you lick your lips and make suggestive motions with a straw. To the extent these stories may be reproduced, they shall be reproduced only like cancer cells, until they crowd out and destroy all other stories they appear alongside of; to the extent they may be transmitted, they shall be transmitted without words, without thoughts, and without consent, appearing in the mind as if they’ve always been there, just waiting to be unearthed; and to the extent these stories shall be distributed, they shall be distributed surreptitiously and with some degree of shame, a hushed secret, an ignoble pact.”
― A Deep Horror That Was Very Nearly Awe
― A Deep Horror That Was Very Nearly Awe

“Sometimes I imagine a map composed only of the places I’d like to see once more.”
― On The Road To Babadag: Travels in the Other Europe
― On The Road To Babadag: Travels in the Other Europe

“And not only our own particular past. For if we go on forgetting half of Europe’s history, some of what we know about mankind itself will be distorted. Every one of the twentieth-century’s mass tragedies was unique: the Gulag, the Holocaust, the Armenian massacre, the Nanking massacre, the Cultural Revolution, the Cambodian revolution, the Bosnian wars, among many others. Every one of these events had different historical, philosophical, and cultural origins, every one arose in particular local circumstances which will never be repeated. Only our ability to debase and destroy and dehumanize our fellow men has been—and will be—repeated again and again: our transformation of our neighbors into “enemies,” our reduction of our opponents to lice or vermin or poisonous weeds, our re-invention of our victims as lower, lesser, or evil beings, worthy only of incarceration or explusion or death. The more we are able to understand how different societies have transformed their neighbors and fellow citizens from people into objects, the more we know of the specific circumstances which led to each episode of mass torture and mass murder, the better we will understand the darker side of our own human nature. This book was not written “so that it will not happen again,” as the cliché would have it. This book was written because it almost certainly will happen again. Totalitarian philosophies have had, and will continue to have, a profound appeal to many millions of people. Destruction of the “objective enemy,” as Hannah Arendt once put it, remains a fundamental object of many dictatorships. We need to know why—and each story, each memoir, each document in the history of the Gulag is a piece of the puzzle, a part of the explanation. Without them, we will wake up one day and realize that we do not know who we are.”
― Gulag: A History
― Gulag: A History

“He was a man of very few words, and as it was impossible to talk, one had to keep silent. It’s hard work talking to some people, most often males. I have a Theory about it. With age, many men come down with testosterone autism, the symptoms of which are a gradual decline in social intelligence and capacity for interpersonal communication, as well as a reduced ability to formulate thoughts. The Person beset by this Ailment becomes taciturn and appears to be lost in contemplation. He develops an interest in various Tools and machinery, and he’s drawn to the Second World War and the biographies of famous people, mainly politicians and villains. His capacity to read novels almost entirely vanishes; testosterone autism disturbs the character’s psychological understanding.”
― Drive Your Plow Over the Bones of the Dead
― Drive Your Plow Over the Bones of the Dead

“To read great books does not mean one becomes ‘bookish’; it means that something of the terrible insight of Dostoyevsky, of the richly-charged imagination of Shakespeare, of the luminous wisdom of Goethe, actually passes into the personality of the reader; so that in contact with the chaos of ordinary life certain free and flowing outlines emerge, like the forms of some classic picture, endowing both people and things with a grandeur beyond what is visible to the superficial glance.”
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Lukasz’s 2024 Year in Books
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