Bill

“the words, actions and sufferings of Jesus form an aesthetic unity, held together by the ‘style’ of unconditional love.”
― Hans Urs von Balthasar, Mysterium Paschale: The Mystery of Easter

“The Hegelian babble about the real being the true is therefore the same kind of confusion as when people assume that the words and actions of a poet’s dramatic characters are the poet’s own. We must, however, hold fast to the belief that when God—so to speak—decides to write a play, he does not do it simply in order to pass the time, as the pagans thought. No, no: indeed, the utterly serious point here is that loving and being loved is God’s passion. It is almost—infinite love!—as if he is bound to this passion, almost as if it were a weakness on his part; whereas in fact it is his strength, his almighty love: and in that respect his love is subject to no alteration of any kind. There”
― Hans Urs von Balthasar, Theo-Drama: Theological Dramatic Theory

“Thus it seems that the Cross of Christ, laden with every sinful refusal of man, must stand at the very last extremity of hell; indeed, it must stand beyond hell, where the Son is forsaken by the Father in a way that only he can know.”
― Hans Urs von Balthasar, Theo-Drama: Theological Dramatic Theory

“All societies are addicted to themselves and create deep codependency on them. There are shared and agreed-upon addictions in every culture and every institution. These are often the hardest to heal because they do not look like addictions because we have all agreed to be compulsive about the same things and blind to the same problems. The Gospel exposes those lies in every culture: The American addiction to oil, war, and empire; the church’s addiction to its own absolute exceptionalism; the poor person’s addiction to powerlessness and victimhood; the white person’s addiction to superiority; the wealthy person’s addiction to entitlement.”
― Richard Rohr, Breathing Underwater