Iris
https://www.goodreads.com/iriss99
“What's everyone talking about?"
"The end of The Iliad."
"That's the best part," Marx said.
"Why is it the best part?" Sadie asked.
"Because it's perfect," Marx said. "'Tamer of horses' is an honest profession. The lines mean that one doesn't have to be a god or a king for your life to have meaning.”
― Tomorrow, and Tomorrow, and Tomorrow
"The end of The Iliad."
"That's the best part," Marx said.
"Why is it the best part?" Sadie asked.
"Because it's perfect," Marx said. "'Tamer of horses' is an honest profession. The lines mean that one doesn't have to be a god or a king for your life to have meaning.”
― Tomorrow, and Tomorrow, and Tomorrow
“There are no ghosts, but up here”—she gestured toward her head—“it’s a haunted house.”
― Tomorrow, and Tomorrow, and Tomorrow
― Tomorrow, and Tomorrow, and Tomorrow
“Why wouldn’t you tell someone you loved them? Once you loved someone, you repeated it until they were tired of hearing it. You said it until it ceased to have meaning. Why not? Of course, you goddamn did.”
― Tomorrow, and Tomorrow, and Tomorrow
― Tomorrow, and Tomorrow, and Tomorrow
“Perhaps he makes a choice. He chooses the memory of her. That’s why he turns. He doesn’t make the lover’s choice, but the poet’s.”
― Portrait of a Lady on Fire
― Portrait of a Lady on Fire
“Hers was tougher than tough love. It was brutal, industrial-strength. A sinewy love that never gave way to an inch of weakness. It was a love that saw what was best for you ten steps ahead, and didn't care if it hurt like hell in the meantime. When I got hurt, she felt it so deeply, it was as though it were her own affliction. She was guilty only of caring too much. I realize this now, only in retrospect. No one in this would would ever love me as much as my mother, and she would never let me forget it.”
― Crying in H Mart
― Crying in H Mart
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