Isabel

“Each friend represents a world in us, a world possibly not born until they arrive, and it is only by this meeting that a new world is born.”
― Anais Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

“Henry's recollections of the past, in contrast to Proust, are done while in movement. He may remember his first wife while making love to a whore, or he may remember his very first love while walking the streets, traveling to see a friend; and life does not stop while he remembers. Analysis in movement. No static vivisection. Henry's daily and continuous flow of life, his sexual activity, his talks with everyone, his cafe life, his conversations with people in the street, which I once considered an interruption to writing, I now believe to be a quality which distinguishes him from other writers. He never writes in cold blood: he is always writing in white heat.
It is what I do with the journal, carrying it everywhere, writing on cafe tables while waiting for a friend, on the train, on the bus, in waiting rooms at the station, while my hair is washed, at the Sorbonne when the lectures get tedious, on journeys, trips, almost while people are talking.
It is while cooking, gardening, walking, or love-making that I remember my childhood, and not while reading Freud's 'Preface to a Little Girl's Journal.”
― Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

“The other night we talked about literature's elimination of the unessential, so that we are given a concentrated "dose" of life. I said, almost indignantly, "That's the danger of it, it prepares you to live, but at the same time, it exposes you to disappointments because it gives a heightened concept of living, it leaves out the dull or stagnant moments. You, in your books, also have a heightened rhythm, and a sequence of events so packed with excitement that I expected all your life to be delirious, intoxicated."
Literature is an exaggeration, a dramatization, and those who are nourished on it (as I was) are in great danger of trying to approximate an impossible rhythm. Trying to live up to Dostoevskian scenes every day. And between writers there is a straining after extravagance. We incite each other to jazz-up our rhythm.”
― Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

“The two men who have done the greatest harm to the world are Christ and Columbus. Christ taught us guilt and sacrifice, to live only in the other world, and Columbus discovered America and materialism.”
― Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934