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Artificial Hells:...
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  (page 236 of 390)
"I've re-read the intro and conclusion, power read the chapters, and am now picking back over relevant chapters to my research, hence being on page 236 of Chapter 8 'Delegated Performance: Outsourcing Authenticity." Aug 23, 2012 12:17PM

 
The Joke and Its ...
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Jacques Derrida
“No one gets angry at a mathematician or a physicist whom he or she doesn't understand, or at someone who speaks a foreign language, but rather at someone who tampers with your own language.”
Jacques Derrida

Jacques Derrida
“Contrary to what phenomenology—which is always phenomenology of perception—has tried to make us believe, contrary to what our desire cannot fail to be tempted into believing, the thing itself always escapes.”
Jacques Derrida

Jacques Derrida
“I do not teach truth as such; I do not transform myself into a diaphanous mouthpiece of eternal pedagogy: I settle accounts , however I can, on a certain number of problems; with you and with me or me, and through you, me and me, with a certain number of authorities represented here. I understand that the place I am now occupying will not be left out of the exhibit or withdrawn form the scene. Nor do I intend to withhold even that which I shall call, to save time, an autobiographical demonstration, although I must ask you to shift its sense a little and to listen to it with another ear. I wish to take a certain pleasure in this, so that you may learn this pleasure from me.”
Jacques Derrida, The Ear of the Other: Otobiography, Transference, Translation

Hans-Georg Gadamer
“What man needs is not just the persistent posing of ultimate questions, but the sense of what is feasible, what is possible, what is correct, here and now. The philosopher, of all people, must, I think, be aware of the tension between what he claims to achieve and the reality in which he finds himself.”
Hans-Georg Gadamer, Truth and Method

Hans-Georg Gadamer
“A cultured society that has fallen away from its religious traditions expects more from art than the aesthetic consciousness and the 'standpoint of art' can deliver. The Romantic desire for a new mythology... gives the artist and his task in the world the consciousness of a new consecration. He is something like a 'secular saviour' for his creations are expected to achieve on a small scale the propitiation of disaster for which an unsaved world hopes.”
Hans-Georg Gadamer, Truth and Method

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