Victoria

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And I Don't Want ...
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Whimsy: A Novella
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by Shannon McLeod (Goodreads Author)
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To Build a Fire a...
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Patrick Süskind
“She was indeed a girl of exquisite beauty. She was one of those languid women made of dark honey, smooth and sweet and terribly sticky, who take control of a room with a syrupy gesture, a toss of the hair, a single slow whiplash of the eyes-and all the while remain as still as the center of a hurricane, apparently unaware of the force of gravity by which they irresistibly attract to themselves the yearnings and the souls of both men and women.”
Patrick Süskind, Perfume: The Story of a Murderer

Patrick Süskind
“The smell of the sea pleased him so much that he wanted one day to take it in, pure and unadulterated, in such quantities that he could get drunk on it. And later, when he learned from stories how large the sea is and that you can sail upon it in ships for days on end without ever seeing land, nothing pleased him more than the image of himself sitting high up in the crow's nest of the foremost mast on such a ship, gliding on through the endless smell of the sea -- which really was no smell, but a breath, an exhilaration of breath, the end of all smells -- dissolving with pleasure in that breath.”
Patrick Suskind, Perfume: The Story of a Murderer

Patrick Süskind
“But he did decide vegetatively, as a bean when once tossed aside must decide if it ought to germinate or had better let things be.”
Patrick Süskind, Perfume: The Story of a Murderer

Patti Smith
“But then everything eventually changes. It’s the way of the world. Cycles of death and resurrection, but not always in the way we imagine. For instance, we might all resurrect looking way different, wearing outfits we’d never be caught dead in.”
Patti Smith, Year of the Monkey

Patrick Süskind
“We are familiar with people who seek out solitude: penitents, failures, saints, or prophets. They retreat to deserts, preferably, where they live on locusts and honey. Others, however, live in caves or cells on remote islands; some-more spectacularly-squat in cages mounted high atop poles swaying in the breeze. They do this to be nearer God. Their solitude is a self-moritification by which they do penance. They act in the belief that they are living a life pleasing to God. Or they wait months, years, for their solitude to be broken by some divine message that they hope then speedily to broadcast among mankind.
Grenouille's case was nothing of the sort. There was not the least notion of God in his head. He was not doing penance or wating for some supernatural inspiration. He had withdrawn solely for his own pleasure, only to be near to himself. No longer distracted by anything external, he basked in his own existence and found it splendid. He lay in his stony crypt like his own corpse, hardly breathing, his heart hardly beating-and yet lived as intensively and dissolutely as ever a rake lived in the wide world outside.”
Patrick Suskind, Perfume: The Story of a Murderer

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