Maya Beck

“What fascinates me in dreams is the idea that they emanate from our subconscious. I think that there are many possibilities to interpret dreams but a great deal of mystery always remains. When a dream is explained to us, it’s necessary to know the personal context of the subject. For example, what his childhood was like, his adolescence, his interpersonal relations. You’ve got to understand all these elements in order to tally up the dream and to decode it. At the cinema, that can’t happen because the approach demands the introduction of too many elements. In order for viewers to identify with this dream, I chose a parade which makes one think automatically of other common dreams and unconscious states. There are very old characters like objects that are discarded by people today or religious symbols that people have forgotten. I think that even nowadays, people have forgotten the importance of dreams.”
― Satoshi Kon

“No, Kropotkin never described black women's mutual aid societies or the chorus in Mutual Aid, although he imagined animal society in its rich varieties & the forms of cooperation & mutuality found among ants, monkeys & ruminants. Impossible, recalcitrant domestics weren't yet in his view or anyone else's.”
― Saidiya Hartman, Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals

“He's not god! He's just the asshole who fucks with us.”
― Satoshi Kon, Opus