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Magic: 1400s–1950s
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"Even the ornamentation festooning the posters hints at transcendence. Thoroughly thorough in its visual presentation." Jan 25, 2015 02:01PM

 
Memory Man
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by David Baldacci (Goodreads Author)
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Feb 16, 2020 03:54PM

 
Batman: Black and...
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Madeleine L'Engle
“I will have nothing to do with a God who cares only occasionally. I need a God who is with us always, everywhere, in the deepest depths as well as the highest heights. It is when things go wrong, when good things do not happen, when our prayers seem to have been lost, that God is most present. We do not need the sheltering wings when things go smoothly. We are closest to God in the darkness, stumbling along blindly.”
Madeleine L'Engle
tags: god

Madeleine L'Engle
“We are all strangers in a strange land, longing for home, but not quite knowing what or where home is. We glimpse it sometimes in our dreams, or as we turn a corner, and suddenly there is a strange, sweet familiarity that vanishes almost as soon as it comes.”
Madeleine L'Engle, The Rock That Is Higher: Story as Truth

Madeleine L'Engle
“Our truest response to the irrationality of the world is to paint or sing or write, for only in such response do we find truth.”
Madeleine L'Engle

Annie Dillard
“On the whole, I do not find Christians, outside of the catacombs, sufficiently sensible of conditions. Does anyone have the foggiest idea what sort of power we so blithely invoke? Or, as I suspect, does no one believe a word of it? The churches are children playing on the floor with their chemistry sets, mixing up a batch of TNT to kill a Sunday morning. It is madness to wear ladies’ straw hats and velvet hats to church; we should all be wearing crash helmets. Ushers should issue life preservers and signal flares; they should lash us to our pews. For the sleeping god may wake someday and take offense, or the waking god may draw us out to where we can never return. ”
Annie Dillard

Flannery O'Connor
“The novelist with Christian concerns will find in modern life distortions which are repugnant to him, and his problem will be to make these appear as distortions to an audience which is used to seeing them as natural; and he may well be forced to take ever more violent means to get his vision across to this hostile audience. When you can assume that your audience holds the same beliefs you do, you can relax a little and use more normal ways of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock -- to the hard of hearing you shout, and for the almost blind you draw large and startling figures.”
Flannery O'Connor, Flannery O'Connor: Collected Works

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Jan
Jan
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