progress:
(50%)
"This book is so fucking boring I can’t even explain but I’m in too far to back down now." — Mar 02, 2026 09:55AM
"This book is so fucking boring I can’t even explain but I’m in too far to back down now." — Mar 02, 2026 09:55AM
Daniel
is currently reading
progress:
(page 100 of 304)
"My favourite part of this book is that to make up for the fact that the bibliography is only 3 pages long, every time he references anybody who went to Oxford he makes damn well sure you know that this person went to Oxford." — Mar 02, 2026 09:49AM
"My favourite part of this book is that to make up for the fact that the bibliography is only 3 pages long, every time he references anybody who went to Oxford he makes damn well sure you know that this person went to Oxford." — Mar 02, 2026 09:49AM
“Or perhaps it is just that George has spent proper time looking at this one painting and that every single experience of looking at something would be this good if she devoted time to everything she looked at.”
― How to be Both
― How to be Both
“Daydream, which is to thought as the nebula is to the star, borders on sleep, and is concerned with it as its frontier. An atmosphere inhabited by living transparencies: there's a beginning of the unknown. But beyond it the Possible opens out, immense.
Other beings, other facts, are there. No supernaturalism, only the occult continuation of infinite nature. . . . Sleep is in contact with the Possible, which we also call the improbable. The world of the night is a world. Night, as night, is a universe. . . . The dark things of the unknown world become neighbors of man, whether by true communication or by a visionary enlargement of the distances of the abyss . . . and the sleeper, not quite seeing, not quite unconscious, glimpses the strange animalities, weird vegetations, terrible or radiant pallors, ghosts, masks, figures, hydras, confusions, moonless moonlights, obscure unmakings of miracle, growths and vanishings within a murky depth, shapes floating in shadow, the whole mystery which we call Dreaming, and which is nothing other than the approach of an invisible reality. The dream is the aquarium of Night.”
―
Other beings, other facts, are there. No supernaturalism, only the occult continuation of infinite nature. . . . Sleep is in contact with the Possible, which we also call the improbable. The world of the night is a world. Night, as night, is a universe. . . . The dark things of the unknown world become neighbors of man, whether by true communication or by a visionary enlargement of the distances of the abyss . . . and the sleeper, not quite seeing, not quite unconscious, glimpses the strange animalities, weird vegetations, terrible or radiant pallors, ghosts, masks, figures, hydras, confusions, moonless moonlights, obscure unmakings of miracle, growths and vanishings within a murky depth, shapes floating in shadow, the whole mystery which we call Dreaming, and which is nothing other than the approach of an invisible reality. The dream is the aquarium of Night.”
―
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