Ashu

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Woody Allen
“I was thrown out of college for cheating on the metaphysics exam; I looked into the soul of the boy sitting next to me.”
Woody Allen, Annie Hall: Screenplay

David Foster Wallace
“I do things like get in a taxi and say, "The library, and step on it.”
David Foster Wallace, Infinite Jest

Benjamin Alire Sáenz
“I got to thinking that poems were like people. Some people you got right off the bat. Some people you just didn't get--and never would get.”
Benjamin Alire Sáenz, Aristotle and Dante Discover the Secrets of the Universe

Kurt Vonnegut Jr.
“The most important thing I learned on Tralfamadore was that when a person dies he
only appears to die. He is still very much alive in the past, so it is very silly for people to
cry at his funeral. All moments, past, present and future, always have existed, always will
exist. The Tralfamadorians can look at all the different moments just that way we can
look at a stretch of the Rocky Mountains, for instance. They can see how permanent all
the moments are, and they can look at any moment that interests them. It is just an
illusion we have here on Earth that one moment follows another one, like beads on a
string, and that once a moment is gone it is gone forever.
'When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in a bad
condition in that particular moment, but that the same person is just fine in plenty of other
moments. Now, when I myself hear that somebody is dead, I simply shrug and say what
the Tralfamadorians say about dead people, which is "so it goes.”
Kurt Vonnegut, Slaughterhouse-Five

J.D. Salinger
“But I'll tell you a terrible secret- Are you listening to me? There isn't anyone out there who isn't Seymour's Fat Lady. That includes your Professor Tupper, buddy. And all his goddam cousins by the dozens. There isn't anyone anywhere that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know who the Fat Lady really is?...Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy."

For joy apparently, it was all Franny could do to hold the phone, even with both hands.

For a fullish minute or so, there were no other words, no further speech. Then: "I can't talk any more, buddy." The sound of a phone being replaced in its catch followed.

Franny took in her breath slightly but continued to hold the phone to her ear. A dial tone, of course, followed the formal break in the connection. She appeared to find it extraordinarily beautiful to listen to, rather as if it were the best possible substitute for the primordial silence itself. But she seemed to know, too, when to stop listening to it, as if all of what little or much wisdom there is in the world were suddenly hers. When she replaced the phone, she seemed to know just what to do next, too. She cleared away the smoking things, then drew back the cotton bedspread from the bed she had been sitting on, took off her slippers, and got into the bed. For some minutes, before she fell into a deep, dreamless sleep, she just lay quiet, smiling at the ceiling.”
J.D. Salinger, Franny and Zooey

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Melissasx
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