Jemma

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Madeline Miller
“But in a solitary life, there are rare moments when another soul dips near yours, as stars once a year brush the earth. Such a constellation was he to me.”
Madeline Miller, Circe

Yaa Gyasi
“It took me many years to realize that it’s hard to live in this world. I don’t mean the mechanics of living, because for most of us, our hearts will beat, our lungs will take in oxygen, without us doing anything at all to tell them to. For most of us, mechanically, physically, it’s harder to die than it is to live. But still we try to die. We drive too fast down winding roads, we have sex with strangers without wearing protection, we drink, we use drugs. We try to squeeze a little more life out of our lives. It’s natural to want to do that. But to be alive in the world, every day, as we are given more and more and more, as the nature of “what we can handle” changes and our methods for how we handle it change, too, that’s something of a miracle.”
Yaa Gyasi, Transcendent Kingdom

Robinne Lee
“It’s art. And it makes people happy. And that’s a very good thing. We have this problem in our culture. We take art that appeals to women—film, books, music—and we undervalue it. We assume it can’t be high art. Especially if it’s not dark and tortured and wailing. And it follows that much of that art is created by other women, and so we undervalue them as well. We wrap it up in a pretty pink package and resist calling it art.”
Robinne Lee, The Idea of You

Ocean Vuong
“Is that what art is? To be touched thinking what we feel is ours when, in the end, it was someone else, in longing, who finds us?”
Ocean Vuong, On Earth We're Briefly Gorgeous

Celeste Ng
“Parents, she thought, learned to survive touching their children less and less. As a baby Pearl had clung to her; she’d worn Pearl in a sling because whenever she’d set her down, Pearl would cry. There’d scarcely been a moment in the day when they had not been pressed together. As she got older, Pearl would still cling to her mother’s leg, then her waist, then her hand, as if there was something in her mother she needed to absorb through the skin. Even when she had her own bed, she would often crawl into Mia’s in the middle of the night and burrow under the old patchwork quilt, and in the morning they would wake up tangled, Mia’s arm pinned beneath Pearl’s head, or Pearl’s legs thrown across Mia’s belly. Now, as a teenager, Pearl’s caresses had become rare—a peck on the cheek, a one-armed, half-hearted hug—and all the more precious because of that. It was the way of things, Mia thought to herself, but how hard it was. The occasional embrace, a head leaned for just a moment on your shoulder, when what you really wanted more than anything was to press them to you and hold them so tight you fused together and could never be taken apart. It was like training yourself to live on the smell of an apple alone, when what you really wanted was to devour it, to sink your teeth into it and consume it, seeds, core, and all.”
Celeste Ng, Little Fires Everywhere

416582 #spiveysbookclub — 3659 members — last activity Mar 16, 2022 02:16PM
Welcome to Ashley Spivey's Book Club! Originally started as a Facebook group, we created this Goodreads group to better organize our book discussions ...more
936844 Stella Project — 104 members — last activity May 22, 2020 02:20AM
#AusLit lovers unite! This is a space for you to read the entire back catalogue of Stella Prize long listed titles with us. Each month we will pick a ...more
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