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The Sound and the...
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Gödel, Escher, Ba...
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Robert Musil
“Happiness, after all, depends for the most part not on one’s ability to resolve contradictions but on making them disappear, the way the gaps between trees disappear when we look down a long avenue of them.”
Robert Musil, The Man Without Qualities

Robert Musil
“However understandable and self-contained everything seems, that is accompanied by an obscure feeling that it is only half the story. Something is not quite in balance, and a person presses forward, like a tightrope walker, in order not to sway and fall. And as he presses on through life and leaves lived life behind, the life ahead and the life already lived form a wall, and his path in the end resembles the path of a woodworm: no matter how it corkscrews forward or even backward, it always leaves an empty space behind the fullness of everything, this half that is always missing even when everything is a whole, this is what eventually makes one perceive what one calls the soul.”
Robert Musil, The Man Without Qualities

Cormac McCarthy
“What man is such a coward he would not rather fall once than remain forever tottering?”
Cormac McCarthy, Suttree

Herman Melville
“There are certain queer times and occasions in this strange mixed affair we call life when a man takes this whole universe for a vast practical joke, though the wit thereof he but dimly discerns, and more than suspects that the joke is at nobody's expense but his own.”
Herman Melville, Moby-Dick; or, the Whale

Robert Musil
“His appearance gives no clue to what his profession might be, and yet he doesn't look like a man without a profession either. Consider what he's like: He always knows what to do. He knows how to gaze into a woman's eyes. He can put his mind to any question at any time. He can box. He is gifted, strong-willed, open-minded, fearless, tenacious, dashing, circumspect—why quibble, suppose we grant him all those qualities—yet he has none of them! They have made him what he is, they have set his course for him, and yet they don't belong to him. When he is angry, something in him laughs. When he is sad, he is up to something. When something moves him, he turns against it. He'll always see a good side to every bad action. What he thinks of anything will always depend on some possible context—nothing is, to him, what it is: everything is subject to change, in flux, part of a whole, of an infinite number of wholes presumably adding up to a super-whole that, however, he knows nothing about. So every answer he gives is only a partial answer, every feeling an opinion, and he never cares what something is, only 'how' it is—some extraneous seasoning that somehow goes along with it, that's what interests him.”
Robert Musil, The Man Without Qualities

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