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Chronicle of a Bl...
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by Yu Hua
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Hopscotch
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The Rest Is Noise...
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“Oh, you cherry petals, On this calm and balmy day, Why are you so restless, So keen to fly away? /

ひさかたの 光のどけき 春の日に しづ心なく 花の散るらむ”
Ki no Tomonori

“Impassionate gods have never seen the red that is the Tatsuta River. /
ちはやぶる 神代も聞かず 竜田川 からくれなゐに 水くくるとは”
Ariwara no Narihira

“May I live to see the day when I long for the agony I feel now. /

ながらへば またこのごろや しのばれむ 憂しと見し世ぞ いまは恋しき”
Fujiwara no Kiyosuke

“Swift waters parted by the jagged rocks are joined at river's end. /

瀬をはやみ 岩にせかるる 滝川の われても末に あはむとぞ思ふ”
Emperor Sutoku

Natsume Sōseki
“Yes, a poem, a painting, can draw the sting of troubles from a troubled world and lay in its place a blessed realm before our grateful eyes. Music and sculpture will do likewise. Yet strictly speaking, in fact, there is no need to present this world in art. You have only to conjure the world up before you, and there you will find a living poem, a fount of song. No need to commit your thoughts to paper—the heart will already sing with a sweet inner euphony. No need to stand before your easel and limn with brush and paint—the world’s vast array of forms and colors already sparkles within the inner eye. It is enough simply to be able thus to view the place we live, and to garner with the camera of the sentient heart these pure, limpid images from the midst of our sullied world. And so even if no verse ever emerges from the mute poet, even if the painter never sets brush to canvas, he is happier than the wealthiest of men, happier than any strong-armed emperor or pampered child of this vulgar world of ours—for he can view human life with an artist’s eye; he is released from the world’s illusory sufferings; he is able to come and go at ease in a realm of transcendent purity, to construct a unique universe of art, and thereby to destroy the binding fetters of self-interest and desire.”
Natsume Soseki, The Three-Cornered World

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