Maggie (TWBC)

“She closes her eyes. He probably won’t come back, she thinks. Or he will, differently. What they have now they can never have back again. But for her the pain of loneliness will be nothing to the pain that she used to feel, of being unworthy. He brought her goodness like a gift and now it belongs to her. Meanwhile his life opens out before him in all directions at once. They’ve done a lot of good for each other. Really, she thinks, really. People can really change one another.
You should go, she says. I’ll always be here. You know that.”
― Sally Rooney, Normal People

“The flame of Brianna’s head moved slightly, looking from one to the other, and I saw what she saw; the echo of Jamie’s dangerous stillness in Roger. It was both unexpected and shocking; I had never seen any resemblance between them at all—and yet at the moment they might have been day and dark, images of fire and night, each mirroring the other. MacKenzie,”
― Diana Gabaldon, Drums of Autumn

“Multiple times he has tried writing his thoughts about Marianne down on paper in an effort to make sense of them. He's moved by a desire to describe in words exactly how she looks and speaks. Her hair and clothing. The copy of Swann's Way she reads at lunchtime in the school cafeteria, with a dark French painting on the cover and a mint-coloured spine. Her long fingers turning the pages. She's not leading the same kind of life as other people. She acts so worldly at times, making him feel ignorant, but then she can be so naive. He wants to understand how her mind works... He writes these things down, long run-on sentences with too many dependent clauses, sometimes connected with breathless semicolons, as if he wants to recreate a precise copy of Marianne in print, as if he can preserve her completely for future review.”
― Sally Rooney, Normal People

“And as hard as this choice is, we break the pattern before the pattern breaks us.”
― Colleen Hoover, It Ends with Us