Christopher G. Moore

“It was now hard to believe how difficult it had once been to follow a person in Bangkok in a time before smart phones and social media. The new generation demanded to be followed online. It was in their digital blood. A small investment in a few specialized apps, and not even Sherlock Holmes in his most inspired opium dreams could have imagined the possibilities.”
― Christopher G. Moore, Crackdown

“My grandfather said the sfumato described a psychological and spiritual transition between states of being. This transition was infinite and that’s why we, living in the finite, didn’t understand it. Some called it the Void. But that wasn’t sfumato. We chased the Smoky Dragon. We rode the dragon. We were the dragon. Finite time was our dance audition. Eternity was opening night.”
― Christopher G. Moore, Dance Me to the End of Time: Bangkok Noir

“(Calvino) had long ago accepted that his business model as a private investigator in Bangkok needed to incorporate spirit house offerings, lizard and gecko yammering, fortune tellers’ predictions of auspicious days and times, and Chinese reading of faces and head shapes before any decision would be made. . .the day soon came when they no longer seemed crazy.”
― Christopher G. Moore, Missing In Rangoon: Vincent Calvino Crime Novel

“Let me share what I’ve learned about Thai politics. Keep a distance from those doing a victory dance in the end zone unless you understand their game, how it’s scored and how many players each side has. If you can’t figure out the rules of the game, you won’t know when the game has started and when it’s over. Don’t put a bet on a game you don’t understand.”
― Christopher G. Moore, Crackdown