88 books
—
21 voters
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gothic-lit (31)
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progress:
(page 51 of 561)
"RIP to people who went into this not knowing it's primarily about the beauty of Gothic architecture and a plea to save it, NOT the hunchback living inside of said architecture. Don't give up on it, though— Vicky is onto something here. Hear him out." — Mar 07, 2026 09:01PM
"RIP to people who went into this not knowing it's primarily about the beauty of Gothic architecture and a plea to save it, NOT the hunchback living inside of said architecture. Don't give up on it, though— Vicky is onto something here. Hear him out." — Mar 07, 2026 09:01PM
Katczinsky is right when he says it would not be such a bad war if only one could get a little more sleep.
“Without turning, the pharmacist answered that he liked books like The Metamorphosis, Bartleby, A Simple Heart, A Christmas Carol. And then he said that he was reading Capote's Breakfast at Tiffany's. Leaving aside the fact that A Simple Heart and A Christmas Carol were stories, not books, there was something revelatory about the taste of this bookish young pharmacist, who ... clearly and inarguably preferred minor works to major ones. He chose The Metamorphosis over The Trial, he chose Bartleby over Moby Dick, he chose A Simple Heart over Bouvard and Pecouchet, and A Christmas Carol over A Tale of Two Cities or The Pickwick Papers. What a sad paradox, thought Amalfitano. Now even bookish pharmacists are afraid to take on the great, imperfect, torrential works, books that blaze a path into the unknown. They choose the perfect exercises of the great masters. Or what amounts to the same thing: they want to watch the great masters spar, but they have no interest in real combat, when the great masters struggle against that something, that something that terrifies us all, that something that cows us and spurs us on, amid blood and mortal wounds and stench.”
― 2666
― 2666
“You will never be able to experience everything. So, please, do poetical justice to your soul and simply experience yourself.”
― Notebooks, 1935-1951
― Notebooks, 1935-1951
“In a strange room you must empty yourself for sleep. And before you are emptied for sleep, what are you. And when you are emptied for sleep, you are not. And when you are filled with sleep, you never were. I don't know what I am. I don't know if I am or not. Jewel knows he is, because he does not know that he does not know whether he is or not. He cannot empty himself for sleep because he is not what he is and he is what he is not. Beyond the unlamped wall I can hear the rain shaping the wagon that is ours, the load that is no longer theirs that felled and sawed it nor yet theirs that bought it and which is not ours either, lie on our wagon though it does, since only the wind and the rain shape it only to Jewel and me, that are not asleep. And since sleep is is-not and rain and wind are was, it is not. Yet the wagon is, because when the wagon is was, Addie Bundren will not be. And Jewel is, so Addie Bundren must be. And then I must be, or I could not empty myself for sleep in a strange room. And so if I am not emptied yet, I am is.
How often have I lain beneath rain on a strange roof, thinking of home.”
― As I Lay Dying
How often have I lain beneath rain on a strange roof, thinking of home.”
― As I Lay Dying
“I could smell the curves of the river beyond the dusk and I saw the last light supine and tranquil upon tideflats like pieces of broken mirror, then beyond them lights began in the pale clear air, trembling a little like butterflies hovering a long way off.”
― The Sound and the Fury
― The Sound and the Fury
“And I will look down and see my murmuring bones and the deep water like wind, like a roof of wind, and after a long time they cannot distinguish even bones upon the lonely and inviolate sand.”
― The Sound and the Fury
― The Sound and the Fury
Overbooked Book Club
— 8 members
— last activity Dec 08, 2025 09:31AM
Welcome to Overbooked Book Clubs group me. Here, we can keep each other updated on what we are reading every month.
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