Lillian H

“But he was not beyond it, he knew, and would never be. Beneath the numbness, the indifference, the removal, it was there, intense and steady; it had always been there. In his youth he had given it freely, without thought; he had given it to the knowledge that had been revealed to him--how many years ago?--by Archer Sloane; he had given it to Edith, in those first blind foolish days of his courtship and marriage; and he had given it to Katherine, as if it had never been given before. He had, in odd ways, given it to every moment of his life, and had perhaps given it most fully when he was unaware of his giving. It was a passion neither of the mind nor of the flesh; rather, it was a force that comprehended them both, as if they were but the matter of love, its specific substance. To a woman or to a poem, it said simply: Look! I am alive.”
― John Williamson

“Mason, hands in the dough, watch'd his father openly, feeling the pain in his arms, the pale mass seething with live resistance,— hungry peoples' invention to fill in for times of no Meat, and presently a Succedaneum for Our Lord's own Flesh...The baker's trade terrified the young man. He learn'd as much of it as would keep him going,— but when he began to see into it,— the smells, the unaccountable swelling of the dough, the oven door like a door before a Sacrament,— the daily repetitions of smell and ferment and some hidden Drama, as in the Mass,— was he fleeing to the repetitions of the Sky, believing them safer, not as saturated in life and death? If Christ's Body could enter Bread, then what else might?— might it not be as easily haunted by ghosts less welcome? Alone in the early empty mornings even for a few seconds with the mute white rows, he was overwhelmed by the ghostliness of Bread.
In fact, young Mason nods all the time, more than once with a risen raw Loaf for a pillow, his ear flow'd into intimately by the living network of cells, which seems, just before he wakes,— he insists he wasn't dreaming,— to contrive in some wise, directly in his ear canal, to speak to him. It says, "Remember us to your Father.”
― Thomas Pynchon, Mason & Dixon

“I consider my work optimistic in that the people, during the period I’m writing about them, are experiencing intense emotion. It is my belief that this is all there is to it.”
― Don Carpenter

“If it is true for you, it is true for someone else, and you are no longer alone.”
― Colson Whitehead, The Nickel Boys