Alexandra

“Law enforcement would rather we remember a dull man as brilliant than take a good hard look at the role they played in this absolute sideshow, and I am sick to death of watching them in their pressed shirts and cowboy boots, in their comfortable leather interview chairs, in hugely successful and critically acclaimed crime documentaries, talking about the intelligence and charm and wiliness of an ordinary misogynist. This story is not that. The story is not that.”
― Jessica Knoll, Bright Young Women

“I was seen—I who was seldom seen by anyone. I who was taught, by you, to be invisible in order to be safe, who, in elementary school, was sent to the fifteen-minute time-out in the corner only to be found two hours later, when everyone was long gone and Mrs. Harding, eating lunch at her desk, peered over her macaroni salad and gasped, "My god! My god, I forgot you were still here! What are you still doing here?”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“If you don't believe it, go down to your local karaoke bar on a busy night. Wait until the third hour, when the drunk frat boys and gastropub waitresses with headshots are all done with Backstreet Boys and Alicia Keys and locate the slightly older Asian businessman standing patiently in line for his turn, his face warmly rouged on Crown or Japanese lager, and when he steps up and starts slaying "Country Roads," try not to laugh, or wink knowingly or clap a little too hard, because by the time he gets to "West Virginia, mountain mama," you're going to be singing along, and by the time he's done, you might understand why a seventy-seven-year-old guy from a tiny island in the Taiwan Strait who's been in a foreign country for two-thirds of his life can nail a song, note perfect, about wanting to go home.”
― Charles Yu, Interior Chinatown

“Being indebted is to be cautious, inhibited, and to never speak out of turn. It is to lead a life constrained by choices that are never your own. The man or woman who feels comfortable holding court at a dinner party will speak in long sentences, with heightened dramatic pauses, assured that no one will interject while they’re mid-thought, whereas I, who am grateful to be invited, speak quickly in clipped compressed bursts, so that I can get a word in before I’m interrupted.”
― Cathy Park Hong, Minor Feelings: An Asian American Reckoning