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Skogen - Om trær,...
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Otherlands: A Jou...
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Under the Sea-Wind
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Amitav Ghosh
“The planet will never come alive for you unless your songs and stories give life to all the beings, seen and unseen, that inhabit a living Earth—Gaia.”
― Amitav Ghosh, The Nutmeg's Curse: Parables for a Planet in Crisis

Amitav Ghosh
“[T]he great, irreplaceable potentiality of fiction is that it makes possible the imagining of possibilities.”
― Amitav Ghosh, The Great Derangement: Climate Change and the Unthinkable

Robin Wall Kimmerer
“When a language dies, so much more than words are lost. Language is the dwelling place of ideas that do not exist anywhere else. It is a prism through which to see the world. Tom says that even words as basic as numbers are imbued with layers of meaning. The numbers we use to count plants in the sweetgrass meadow also recall the Creation Story. Én:ska—one. This word invokes the fall of Skywoman from the world above. All alone, én:ska, she fell toward the earth. But she was not alone, for in her womb a second life was growing. Tékeni—there were two. Skywoman gave birth to a daughter, who bore twin sons and so then there were three—áhsen. Every time the Haudenosaunee count to three in their own language, they reaffirm their bond to Creation.”
― Robin Wall Kimmerer, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants

Robin Wall Kimmerer
“Sometimes I wish I could photosynthesize so that just by being, just by shimmering at the meadow's edge or floating lazily on a pond, I could be doing the work of the world while standing silent in the sun.”
― Robin Wall Kimmerer, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants

David Abram
“A story must be judged according to whether it makes sense. And 'making sense' must be here understood in its most direct meaning: to make sense is to enliven the senses. A story that makes sense is one that stirs the senses from their slumber, one that opens the eyes and the ears to their real surroundings, tuning the tongue to the actual tastes in the air and sending chills of recognition along the surface of the skin. To make sense is to release the body from the constraints imposed by outworn ways of speaking, and hence to renew and rejuvenate one's felt awareness of the world. It is to make the senses wake up to where they are.”
― David Abram, The Spell of the Sensuous: Perception and Language in a More-Than-Human World

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