“There are so many movies like this, where you thought you were smarter than the screen but the director was smarter than you, of course he's the one, of course it was a dream, of course she's dead, of course, it's hidden right there, of course it's the truth and you in your seat have failed to notice in the dark.”
― Why We Broke Up
― Why We Broke Up
“I broke up with this girl, and they put me with a psychiatrist who said, 'Why did you get so depressed, and do all those things you did?' I said, 'I wanted this girl and she left me.'
And he said,'Well, we have to look into that.'
And I said, 'There's nothing to look into! I wanted her and she left me.' And he said, 'Well, why are you feeling so intense?'
And I said, 'Cause I want the girl!' And he said, 'What's underneath it?' And I said, 'Nothing!'
He said, 'I'll have to give you medication.'
I said, 'I don't want medication! I want the girl!'
And he said, 'We have to work this through.'
So, I took a fire extinguisher from the casement and struck him across the back of his neck. And before I knew it, guys from Con Ed had jumper cables in my head and the rest was...”
―
And he said,'Well, we have to look into that.'
And I said, 'There's nothing to look into! I wanted her and she left me.' And he said, 'Well, why are you feeling so intense?'
And I said, 'Cause I want the girl!' And he said, 'What's underneath it?' And I said, 'Nothing!'
He said, 'I'll have to give you medication.'
I said, 'I don't want medication! I want the girl!'
And he said, 'We have to work this through.'
So, I took a fire extinguisher from the casement and struck him across the back of his neck. And before I knew it, guys from Con Ed had jumper cables in my head and the rest was...”
―
“Stop saying no offense,” I said, “when you say offensive things. It’s not a free pass.”
― Why We Broke Up
― Why We Broke Up
“But this is the rule, and there is no way to free oneself of it: as soon as the thought has arisen, it must be followed to the very end.”
― Death Sentence
― Death Sentence
“He had a book to finish. Ten-thousand words. The other ninety thousand had been difficult. This last tenth seemed impossible. His plot had become derailed. He was unable to see his way through the smoke and coke dust of a mythical railway track that should stretch ahead. Yes, the characters were there, good and solid. Indeed, the story's engine was strong and had shunted yet forward and forward, with only one or two sharp halts. But six weeks ago he met the bumpers. R. was now stuck in a deserted station, his progress blocked. ("Out Back")”
―
―
Zaar’s 2025 Year in Books
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