Erin

“You are familiar, no doubt, with Sebastiano del Piombo's huge painting "The Raising of Lazarus", which hangs in the National Gallery in London, having been purchased in the last century from the Angerstein collection. Against a background of water, arched bridges, and a hot blue sky, a crowd of people -- presumably the neighbours -- cluster about the risen man. Lazarus has turned rather yellow in death, but he is a muscular, well-set-up type. Hid grave-clothes are draped like a towel over his head, and people lean towards him solicitously, and seem to confer; what he most resembles is a boxer in his corner. The expressions of those around are puzzled, mildly censorious. Here -- in the very act of extricating his right leg from a knot of the shroud --one feels his troubles are about to begin again. A woman -- Mary, or maybe Martha -- is whispering behind her hand. Christ points to the revenant, and holds up his other hand, fingers outstretched: so many round down, five to go.”
― Hilary Mantel, Fludd

“That was my first instinct -- to protect him. It never occurred to me that there was a greater need to protect myself. Innocence always calls mutely for protection when we would be so much wiser to guard ourselves against it: innocence is like a dumb leper who has lost his bell, wandering the world, meaning no harm.”
― Graham Greene, The Quiet American

“Humans are producing no-analog climates, no-analog ecosystems, a whole no-analog future. At this point it might be prudent to scale back our commitments and reduce our impacts. But there are so many of us — as of this writing nearly eight billion — and we are stepped in so far, return seems impractical.

And so we face a no-analog predicament. If there is to be an answer to the problem of control, it's going to be more control. Only now what's go to be managed is not a nature that exists — or is imagined to exist — apart from the human. Instead, the new effort begins with a planet remade and spirals back on itself — not so much the control of nature as the control of the control of nature.”
― Elizabeth Kolbert, Under a White Sky: The Nature of the Future

“Being nearly four years old, she was certainly a child: and children are human (if one allows the term "human" a wide sense): but she had not altogether ceased to be a baby: and babies are of course not human--they are animals, and have a very ancient and ramified culture, as cats have, and fishes, and even snakes: the same in kind as these, but much more complicated and vivid, since babies are, after all, one of the most developed species of the lower vertebrates.
In short, babies have minds which work in terms and categories of their own which cannot be translated into the terms and categories of the human mind.
It is true that they look human--but not so human, to be quite fair, as many monkeys.
Subconsciously, too, every one recognizes they are animals--why else do people always laugh when a baby does some action resembling the human, as they would at a praying mantis? If the baby was only a less-developed man, there would be nothing funny in it, surely.”
― Richard Hughes, A High Wind in Jamaica