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For Browning, Mr. Pound has always professed strong admiration (see "Mesmerism" in "Personae"); there are traces of him in "Cino" and "Famam Librosque Cano," in the same volume. But it is more profitable to comment upon the variety of
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“Canto 37 contains the major episode in Pound’s treatment of the American Revolution in this suite of cantos: the critical war for supremacy between the effectively private Bank of the United States and President Jackson representing the people of the United States. The war was carried on in the Senate, in the financial economy, and in the press from 1829 to 1835. Pound took as his principal source for that part of the canto The Autobiography of Martin Van Buren (published in 1918). Van Buren (1788–1862) was Secretary of State and then Vice-President (1833–7) to Andrew Jackson, and succeeded him as President (1837–41). Pound credited him with having been the brains behind Jackson’s saving the nation by freeing the Treasury from the despotism of the Bank,”
― Ezra Pound: Poet: Volume II: The Epic Years
― Ezra Pound: Poet: Volume II: The Epic Years
“the principles of Jeffersonian democracy, principles which he still steadfastly defended— The world, the flesh, the devils in hell are Against any man who now in the North American Union shall dare to join the standard of Almighty God to put down the African slave trade…”
― Ezra Pound: Poet: Volume II: The Epic Years
― Ezra Pound: Poet: Volume II: The Epic Years
“HIC | JACET | FISCI LIBERATOR’, ‘here lies the Treasury’s Liberator’. However, in Senator Thomas Hart Benton’s fully documented account of the Bank war, in his Thirty Years’ View, or A History of the Working of the American Government (1854), the hero is unquestionably President Jackson, and Van Buren is not seen to play a leading role, in part because while Vice-President he chaired the Senate Debates and could have no voice in them. (That difference raises the question of historical accuracy to which I will return.) The first third of canto 37 weaves together thirty or more items, most of them things said by Van Buren or taken up by him over the many years from 1813 when he was a New York state senator to 1840 when he was President. The passage is a prime instance of Pound’s method of adding one detail to another without providing the conventional syntactical and logical connections, in order to allow a more complex web of relations to develop. Banks fraudulently failing, wealthy landowners and factory owners, high judges and the Chief Justice himself, senators, financial speculators, all are implicated in defrauding immigrants of the value of their banknotes, in driving settlers off the land they would cultivate, in denying workers the vote, in preventing local government of local affairs, and in ‘“decrying government credit. |…in order to feed on the spoils”’.”
― Ezra Pound: Poet: Volume II: The Epic Years
― Ezra Pound: Poet: Volume II: The Epic Years
“That is of course a purely eighteenth-century, patriarchal, and un-Native American model of civilization. One might even call it European, if it were not that the monarchical European way, in Jefferson’s view, was ‘to keep [the people] down’ by hard labour, poverty, ignorance,”
― Ezra Pound: Poet: Volume II: The Epic Years
― Ezra Pound: Poet: Volume II: The Epic Years
“Canto 34 goes back in time to the beginnings of that betrayal. Pound condensed into seven printed pages Allan Nevins’s 575-page Diary of John Quincy Adams (1928),”
― Ezra Pound: Poet: Volume II: The Epic Years
― Ezra Pound: Poet: Volume II: The Epic Years
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