Christine

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E.E. Ottoman
“He was silent for a moment, then said more quietly. 'But I know what you are talking about. I've felt like that before too. To be intimate with someone and feel not right afterward, too vulnerable and too seen.' He took a draw on his cigarette. 'I spend so much of my time not being seen. Explaining and quantifying myself.'

'Making myself small and unseen,' Madeline said. 'Unthreatening and unremarkable.'

'In everything,' Victor agreed. 'So, to not have to do that to be accepted without a fight, it can be almost painful. Getting what you want and not knowing what to do with it. I am good at being hurt and bad at being loved.”
E.E. Ottoman, The Companion

Alexandra Bracken
“He's so busy looking inside people to find the good that he misses the knife they're holding in their hand.”
Alexandra Bracken, The Darkest Minds

Clementine von Radics
“I pity the woman who will love you
when I am done. She will show up
to your first date with a dustpan
and broom, ready to pick up all the pieces
I left you in. She will hear my name so often
it will begin to dig holes in her. That
is where doubt will grow. She will look
at your neck, your thin hips, your mouth,
wondering at the way I touched you.
She will make you all the promises I did
and some I never could. She will hear only
the terrible stories. How I drank. How I lied.
She will wonder (as I have) how someone
as wonderful as you could love a monster
like the woman who came before her. Still,
she will compete with my ghost.
She will understand why you do not look
in the back of closets. Why you are afraid
of what’s under the bed. She will know
every corner of you is haunted
by me.”
Clementine von Radics

Cassandra Rose Clarke
“I thought the assassin was moving kind of slow for an assassin. Maybe the magic had done something after all. Or maybe he felt sorry for me. That sort of thing happens among cutthroats more often than you'd expect.”
Cassandra Rose Clarke, The Assassin's Curse

William Maxwell
“Sometimes she goes out to work as a practical nurse, and comes home and sits by the kitchen table soaking her feet in a pan of hot water and Epsom salts. When she gets into bed and the springs creak under her weight, she groans with the pleasure of lying stretched out on an object that understands her so well.”
William Maxwell, So Long, See You Tomorrow

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