Benjamin

“Haven’t you got any tenderness or love left for me at all?” Yvonne asked suddenly, almost piteously, turning round on him, and he thought: Yes, I do love you, I have all the love in the world left for you, only that love seems so far away from me and so strange too, for it is as though I could almost hear it, a droning or a weeping, but far, far away, and a sad lost sound, it might be either approaching or receding, I can’t tell which. “Don’t you think of anything except of how many drinks you’re going to have?”
― Malcolm Lowry, Under the Volcano

“—And yet, he was thinking all over again, and all over again as for the first time, how he had suffered, suffered, suffered without her; indeed such desolation, such a desperate sense of abandonment bereavement, as during this last year without Yvonne, he had never known in his life, unless it was when his mother died. But this present emotion he had never experienced with his mother: this urgent desire to hurt, to provoke, at a time when forgiveness alone could save the day, this, rather, had commenced with his stepmother, so that she would have to cry:—“I can’t eat, Geoffrey, the food sticks in my throat!” It was hard to forgive, hard, hard to forgive. Harder still, not to say how hard it was, I hate you. Even now, of all times. Even though here was God’s moment, the chance to agree, to produce the card, to change everything; or there was but a moment left … Too late. The Consul had controlled his tongue. But he felt his mind divide and rise, like the two halves of a counterpoised drawbridge, ticking, to permit”
― Malcolm Lowry, Under the Volcano

“Disintegration---I'm taking it in stride.”
― Bret Easton Ellis, American Psycho

“The slow darkening of the murals as you look from right to left. It seems somehow to symbolise the gradual imposition of the Spaniards’ conquering will upon the Indians. Do you see what I mean?”
― Malcolm Lowry, Under the Volcano