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Chamodi Waidyathilaka
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“The Isle of Moila is the first stop past Tobermory. It is not a large island, perhaps nine miles by five, with formidable cliffs to the north-west that face the weather like the prow of a ship. From the steep sheep-bitten turf at the head of these cliffs the land slopes gently down towards a glen where the island’s only sizeable river runs seawards out of a loch cupped in a shallow basin among low hills. Presumably the loch – lochan, rather, for it is not large – is fed by springs eternally replenished by the rain, for nothing flows into it except small burns seeping through rush and bog myrtle, which spread after storms into sodden quagmires of moss. But the outflow is perennially full, white water pouring down to where the moor cleaves open and lets it fall to the sea.”
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“Song
Oh roses for the ush of youth, And laurel for the perfect prime;°
But pluck an ivy branch for me° Grown old before my time.
Oh violets for the grave of youth,
And bay for those dead in their prime;
Give me the withered leaves
I chose Before in the old time.”
― Christina Rossetti
Oh roses for the ush of youth, And laurel for the perfect prime;°
But pluck an ivy branch for me° Grown old before my time.
Oh violets for the grave of youth,
And bay for those dead in their prime;
Give me the withered leaves
I chose Before in the old time.”
― Christina Rossetti
“The Bourne
Underneath the growing grass,
Underneath the living owers, Deeper than the sound of showers: There we shall not count the hours
By the shadows as they pass. Youth and health will be but vain,
Beauty reckoned of no worth:
There a very little girth
Can hold round what once the earth
Seemed too narrow to contain.”
― Christina Rossetti in Poetry and Prose
Underneath the growing grass,
Underneath the living owers, Deeper than the sound of showers: There we shall not count the hours
By the shadows as they pass. Youth and health will be but vain,
Beauty reckoned of no worth:
There a very little girth
Can hold round what once the earth
Seemed too narrow to contain.”
― Christina Rossetti in Poetry and Prose
“Every autumn I watch for one great star. It is the star Capella, and when in September I look to the north and see it rising over the somber roof line of a deserted barn, I know that winter is near.
Night after night it stands a little higher above the earth when twilight comes, and when arrives the true cold and the dark, it has cleared the floors of earth and the low mists and is rising on its great arc into that northeast whence come the birds whose clamor sometimes wakes us in the earlier night.
There is an order established against whose laws only fools will struggle, an order whose acceptance is the very cornerstone of life and peace.”
― The Northern Farm: A Glorious Year on a Small Maine Farm
Night after night it stands a little higher above the earth when twilight comes, and when arrives the true cold and the dark, it has cleared the floors of earth and the low mists and is rising on its great arc into that northeast whence come the birds whose clamor sometimes wakes us in the earlier night.
There is an order established against whose laws only fools will struggle, an order whose acceptance is the very cornerstone of life and peace.”
― The Northern Farm: A Glorious Year on a Small Maine Farm
“Wood Music: A Playlist
Foals, ‘Birch Tree’, 2015
Arnold Bax, November Woods, 1917
The Beatles, ‘Norwegian Wood’, 1965
Igor Stravinsky, ‘Berceuse’, from The Firebird, 1910
A Woodland Reading List
William Boyce and David Garrick, ‘Heart of Oak’, 1760 George Butterworth, The Banks of Green Willow, 1913 ——, ‘Loveliest of Trees’, from ‘A Shropshire Lad’, 1911 Editors, ‘I Want a Forest’, 2009
Edward Elgar, String Quartet in E minor, Op. 83, 1919 ——, Quintet in A minor, Op., 84, 1918
——, Cello Concerto in E minor, Op. 85, 1919
——, Owls: An Epitaph, Op. 27, 1907
Keane, ‘Somewhere Only We Know’, 2004
Lindisfarne, Dingly Dell, 1972
Oasis, ‘Songbird’, 2002
Pink Floyd, ‘Careful with That Axe, Eugene’, 1969
Camille Saint-Saëns, ‘Le Coucou au Fond des Bois’ (‘The Cuckoo in the
Depths of the Wood’), 1886
Pablo Casals, ‘El Cant dels Ocells’ (‘Song of the Birds’), 1961
Antonín Dvořák, Waldesruhe (‘Silent Woods’) for cello and orchestra, Op.
68, no. 5, 1894
Edvard Grieg, Lyric Pieces, Op. 43, no. 4, ‘Little Bird’, 1886
Franz Liszt, Legende S.175 no. 1, St Francis of Assisi preaching to the
birds, 1863
Monty Python, ‘The Lumberjack Song’, 1975
Van Morrison, ‘Redwood Tree’, 1972
Wolfgang Amadeus Mozart, ‘Der Vogelfänger bin ich ja’ (‘The Bird-
catcher, that’s me’), from Die Zauberflöte (The Magic Flute), 1791 George Perlman, ‘A Birdling Sings’, from ‘Ghetto Sketches’, 1931 Pulp, ‘The Trees’, 2001
Radiohead, King of Limbs, 2011
Robert Schumann, ‘Jäger auf der Lauer’ (‘Hunters on the Lookout’), from Waldszenen (Forest Scenes), Op. 82, no. 2, 1850–51
——, ‘Freundliche Landschaft’ (‘Friendly Landscape’), from Waldszenen (Forest Scenes), Op. 82, no. 5, 1850–51
Jean Sibelius, ‘The Aspen’, no. 3, ‘The Birch’, no. 4, ‘The Spruce’, no. 5, from Op. 75, ‘The Trees’, 1914–19
Trad., ‘The Trees They Do Grow High’
——, ‘The Willow Tree’
The Verve, ‘Sonnet’, from Urban Hymns, 1997 Paul Weller, ‘Wild Wood’, 1993”
― The Wood: The Life & Times of Cockshutt Wood
Foals, ‘Birch Tree’, 2015
Arnold Bax, November Woods, 1917
The Beatles, ‘Norwegian Wood’, 1965
Igor Stravinsky, ‘Berceuse’, from The Firebird, 1910
A Woodland Reading List
William Boyce and David Garrick, ‘Heart of Oak’, 1760 George Butterworth, The Banks of Green Willow, 1913 ——, ‘Loveliest of Trees’, from ‘A Shropshire Lad’, 1911 Editors, ‘I Want a Forest’, 2009
Edward Elgar, String Quartet in E minor, Op. 83, 1919 ——, Quintet in A minor, Op., 84, 1918
——, Cello Concerto in E minor, Op. 85, 1919
——, Owls: An Epitaph, Op. 27, 1907
Keane, ‘Somewhere Only We Know’, 2004
Lindisfarne, Dingly Dell, 1972
Oasis, ‘Songbird’, 2002
Pink Floyd, ‘Careful with That Axe, Eugene’, 1969
Camille Saint-Saëns, ‘Le Coucou au Fond des Bois’ (‘The Cuckoo in the
Depths of the Wood’), 1886
Pablo Casals, ‘El Cant dels Ocells’ (‘Song of the Birds’), 1961
Antonín Dvořák, Waldesruhe (‘Silent Woods’) for cello and orchestra, Op.
68, no. 5, 1894
Edvard Grieg, Lyric Pieces, Op. 43, no. 4, ‘Little Bird’, 1886
Franz Liszt, Legende S.175 no. 1, St Francis of Assisi preaching to the
birds, 1863
Monty Python, ‘The Lumberjack Song’, 1975
Van Morrison, ‘Redwood Tree’, 1972
Wolfgang Amadeus Mozart, ‘Der Vogelfänger bin ich ja’ (‘The Bird-
catcher, that’s me’), from Die Zauberflöte (The Magic Flute), 1791 George Perlman, ‘A Birdling Sings’, from ‘Ghetto Sketches’, 1931 Pulp, ‘The Trees’, 2001
Radiohead, King of Limbs, 2011
Robert Schumann, ‘Jäger auf der Lauer’ (‘Hunters on the Lookout’), from Waldszenen (Forest Scenes), Op. 82, no. 2, 1850–51
——, ‘Freundliche Landschaft’ (‘Friendly Landscape’), from Waldszenen (Forest Scenes), Op. 82, no. 5, 1850–51
Jean Sibelius, ‘The Aspen’, no. 3, ‘The Birch’, no. 4, ‘The Spruce’, no. 5, from Op. 75, ‘The Trees’, 1914–19
Trad., ‘The Trees They Do Grow High’
——, ‘The Willow Tree’
The Verve, ‘Sonnet’, from Urban Hymns, 1997 Paul Weller, ‘Wild Wood’, 1993”
― The Wood: The Life & Times of Cockshutt Wood
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Chamodi’s 2025 Year in Books
Take a look at Chamodi’s Year in Books, including some fun facts about their reading.
6,076 books
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2,984 friends
1,250 books
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518 friends
244 books
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54 friends
448 books
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21 friends
708 books
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90 friends
9,090 books
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124 friends
3,545 books
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192 books
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126 friends
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Favorite Genres
Classics, Fiction, Historical fiction, History, Manga, Memoir, Non-fiction, Philosophy, Poetry, Psychology, Romance, Thriller, and Travel
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