Eleanor Jacobs

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Daisy Miller
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Romeo and Juliet
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Hanya Yanagihara
“The axiom of equality states that x always equals x: it assumes that if you have a conceptual thing named x, that it must always be equivalent to itself, that it has a uniqueness about it, that it is in possession of something so irreducible that we must assume it is absolutely, unchangeably equivalent to itself for all time, that its very elementalness can never be altered. But it is impossible to prove. Always, absolutes, nevers: these are the words, as much as numbers, that make up the world of mathematics. Not everyone liked the axiom of equality––Dr. Li had once called it coy and twee, a fan dance of an axiom––but he had always appreciated how elusive it was, how the beauty of the equation itself would always be frustrated by the attempts to prove it. It was the kind of axiom that could drive you mad, that could consume you, that could easily become an entire life.

But now he knows for certain how true the axiom is, because he himself––his very life––has proven it. The person I was will always be the person I am, he realizes. The context may have changed: he may be in this apartment, and he may have a job that he enjoys and that pays him well, and he may have parents and friends he loves. He may be respected; in court, he may even be feared. But fundamentally, he is the same person, a person who inspires disgust, a person meant to be hated.”
Hanya Yanagihara, A Little Life

Emily Brontë
“He's more myself than I am. Whatever our souls are made of, his and mine are the same.”
Emily Brontë, Wuthering Heights

Hanya Yanagihara
“He experienced the singular pleasure of watching people he loved fall in love with other people he loved.”
Hanya Yanagihara, A Little Life

Joseph Heller
“He knew everything there was to know about literature, except how to enjoy it”
Joseph Heller, Catch-22

Fernando Pessoa
“Man shouldn’t be able to see his own face--there’s nothing more sinister. Nature gave him the gift of not being able to see it, and of not being able to stare into his own eyes.

Only in the water of rivers and ponds could he look at his face. And the very posture he had to assume was symbolic. He had to bend over, stoop down, to commit the ignominy of beholding himself.

The inventor of the mirror poisoned the human heart.”
Fernando Pessoa, The Book of Disquiet

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